Bring 'Em In, Mando Diao's 2003 debut, cut the hard swing of 1960s British R&B with a raw edge comparable to the Strokes or Hives. It had the best influences from the past and all the zing of 21st century rock & roll; it was fun, but that was about it. Released in 2005, Hurricane Bar lands in a similar place. The voices of co-frontmen Björn Dixgård and Gustaf Norén are still a force -- Dixgård's throaty and clear, Norén's a beery yell -- and there's an eagerness in the band's playing that keeps Mando Diao's tunes bright and ...
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Bring 'Em In, Mando Diao's 2003 debut, cut the hard swing of 1960s British R&B with a raw edge comparable to the Strokes or Hives. It had the best influences from the past and all the zing of 21st century rock & roll; it was fun, but that was about it. Released in 2005, Hurricane Bar lands in a similar place. The voices of co-frontmen Björn Dixgård and Gustaf Norén are still a force -- Dixgård's throaty and clear, Norén's a beery yell -- and there's an eagerness in the band's playing that keeps Mando Diao's tunes bright and foot-tappable. "God Knows" is a great example with its organ runs, punchy rhythm, and Noel/Liam-like vocal interplay. But that same knack for re-creating the already re-created sounds of their peers keeps rearing up on Hurricane Bar, and it docks the album points in the genuineness department. The Libertines' cocksure hyperactivity is the primary source for songs like "Clean Town" and "Annie's Angle"; "Cut the Rope" follows the Libertine lead in essaying the Clash. These tracks are well done. They'll sound great railing through rock club sound systems from Manchester to New York City, not to mention in Mando Diao's hometown of Borlänge, Sweden. But they're all swagger and no soul. Fortunately, Hurricane Bar's second half takes some promising turns. "Dream Is Over" has chirping guitar leads and a classic Britpop chorus, and Dixgård's "Ringing Bells" is strikingly gentle. "Ringing bells in Saxton and Oakland bringing you home..." goes the final lyric, and it's a comforting mantra anywhere in the world. "All My Senses" is also strong -- like "Dream," it crosses scraggly guitars with the softer elements Mando Diao might think about using more often. And there's a great organ solo, too. [Initial pressings of Hurricane Bar's domestic version included videos for "Clean Town," "God Knows," and "Down in the Past."] ~ Johnny Loftus, Rovi
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Add this copy of Hurricane Bar to cart. $0.99, good condition, Sold by Warner Books rated 5.0 out of 5 stars, ships from Girard, OH, UNITED STATES, published 2005 by Mute.
Add this copy of Hurricane Bar to cart. $3.34, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2005 by Mute U. S.
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Seller's Description:
Good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Hurricane Bar to cart. $4.95, fair condition, Sold by ARC Foundation Thrift Store rated 5.0 out of 5 stars, ships from Ventura, CA, UNITED STATES, published 2005 by Mute U. S.
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Fair. YOUR PURCHASE BENEFITS THOSE WITH DEVELOPMENTAL DISABILITIES TO LIVE A BETTER QUALITY OF LIFE. Case has some wear, disc has alot of marksYour purchase benefits those with developmental disabilities to live a better quality of life.
Add this copy of Hurricane Bar to cart. $9.49, very good condition, Sold by Music Fiendz rated 5.0 out of 5 stars, ships from South Hackensack, NJ, UNITED STATES, published 2005 by Mute U. S.
Add this copy of Hurricane Bar to cart. $17.00, like new condition, Sold by Streetlight_Records rated 5.0 out of 5 stars, ships from Santa Cruz, CA, UNITED STATES, published 2004 by Emi International.
