In the virtual cottage industry of recent works on fin-de-sicle Vienna, Hugo Wolf (1860-1903) has been somewhat neglected, perhaps because he was the master of a small genre--the late Romantic lied--and never truly made his mark in the larger forms that command greater public attention. But in the realm of song, he is among the greatest inheritors of Schubert and Schumann, one who was both a traditionalist and a modernist. When the Viennese critic Eduard Hanslick disapprovingly dubbed Wolf "the Richard Wagner of the lied," ...
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In the virtual cottage industry of recent works on fin-de-sicle Vienna, Hugo Wolf (1860-1903) has been somewhat neglected, perhaps because he was the master of a small genre--the late Romantic lied--and never truly made his mark in the larger forms that command greater public attention. But in the realm of song, he is among the greatest inheritors of Schubert and Schumann, one who was both a traditionalist and a modernist. When the Viennese critic Eduard Hanslick disapprovingly dubbed Wolf "the Richard Wagner of the lied," he was paying oblique homage to Wolf's genius as a song composer in the most modern manner. In this book Susan Youens examines five aspects of Wolf's compositional art, each exemplifying a different synthesis of traditionalism and modernity and spanning his entire, tragically brief creative life, from his first efforts to his lapse into insanity in 1897. Wolf's youthful imitations of Schumann (a common phenomenon at the time), his genius for comic songs of a kind unlike any of his predecessors, his part in the ballad revival of the late nineteenth century, Wolf in relation to his contemporaries, and his pursuit of operatic fame--in her investigation of these subjects, Youens discusses the poetic texts as closely as she does the music and includes numerous previously unpublished sketches and fragments, examples from songs now long out-of-print and difficult to obtain, and citations from Wolf's vivid letters and from other sources of the period. For lieder enthusiasts, this book has much that is new or little known to offer.
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Add this copy of Hugo Wolf: the Vocal Music to cart. $50.87, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1992 by Princeton University Press.
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Add this copy of Hugo Wolf: the Vocal Music to cart. $50.87, fair condition, Sold by Goodwill of the Olympics rated 5.0 out of 5 stars, ships from TACOMA, WA, UNITED STATES, published 1992 by Princeton University Press.
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Fair. An acceptable and readable copy. All pages are intact, and the spine and cover are also intact. This item may have light highlighting, writing or underlining through out the book, curled corners, missing dust jacket and or stickers.
Add this copy of Hugo Wolf: the Vocal Music to cart. $99.53, good condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1992 by Princeton University Press.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 850grams, ISBN: 0691091455.
Add this copy of Hugo Wolf: the Vocal Music to cart. $105.62, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1992 by Princeton University Press.
