Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho , Get Out , Insidious: The Last Key and Winchester House - ...
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Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho , Get Out , Insidious: The Last Key and Winchester House --along with films produced outside the U.S. by directors such as Alejandro Amenabar ( The Others ), Hideo Nakata ( Ringu ) and Guillermo Del Toro ( The Orphanage ), and often overlooked classics like Alfred Hitchcock's The Lodger .
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Add this copy of Horror Comes Home: Essays on Hauntings, Possessions and to cart. $19.43, good condition, Sold by SurplusTextSeller rated 5.0 out of 5 stars, ships from Columbia, MO, UNITED STATES, published 2019 by McFarland & Company.
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