Acknowledgements; Introduction: rethinking modernism, remapping the turn of the twentieth century; 1. Beatrice Webb and the 'serious' artist; 2. Inventing literary tradition, ghosting Oscar Wilde and the Victorian fin de si???cle; 3. The Lost Girl, Tarr, and the 'moment' of modernism; 4. Mapping the middlebrow in Edwardian England; 5. 'Life is not composed of watertight compartments': the New Age's critique of modernist literary specialization; Conclusion: modernism and English studies in history; Select bibliography; Index.
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Acknowledgements; Introduction: rethinking modernism, remapping the turn of the twentieth century; 1. Beatrice Webb and the 'serious' artist; 2. Inventing literary tradition, ghosting Oscar Wilde and the Victorian fin de si???cle; 3. The Lost Girl, Tarr, and the 'moment' of modernism; 4. Mapping the middlebrow in Edwardian England; 5. 'Life is not composed of watertight compartments': the New Age's critique of modernist literary specialization; Conclusion: modernism and English studies in history; Select bibliography; Index.
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