Grace Dane Mazur uses the idea of the hinge to illuminate real and metaphysical thresholds in fiction, poetry, myth, and ordinary life. From ancient narratives of Gilgamesh, Odysseus, Parmenides, and Orpheus, to modern works by Katherine Mansfield and Eudora Welty, the exploration of the Other World acts as a metaphor for the entrancement of reading and writing. Looking at Lascaux, Renaissance and Byzantine images of Christ harrowing Hell, Rubens, Vermeer, and others Mazur contemplates writing, attention, Hades, the gates ...
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Grace Dane Mazur uses the idea of the hinge to illuminate real and metaphysical thresholds in fiction, poetry, myth, and ordinary life. From ancient narratives of Gilgamesh, Odysseus, Parmenides, and Orpheus, to modern works by Katherine Mansfield and Eudora Welty, the exploration of the Other World acts as a metaphor for the entrancement of reading and writing. Looking at Lascaux, Renaissance and Byzantine images of Christ harrowing Hell, Rubens, Vermeer, and others Mazur contemplates writing, attention, Hades, the gates of Hell, trap doors, demons, love, the human body, forbidden looking, Virgil, Ovid, Nicodemus, Nighttown, and the melancholy of twilight.
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