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Hildegard von Bingen: Symphoniae - Barbara Thornton (vocals); Benjamin Bagby (harp); Benjamin Bagby (organistrum); Candace Smith (vocals);...
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  1. O quam mirabilis, antiphon
  2. O pulchrae facies, antiphon for the virgins
  3. O virga ac diadema, sequence
  4. Misc. instrumental pieces associated with Hildegard recordings: Instrumentalstück
  5. O clarissima mater, response
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  1. O quam mirabilis, antiphon
  2. O pulchrae facies, antiphon for the virgins
  3. O virga ac diadema, sequence
  4. Misc. instrumental pieces associated with Hildegard recordings: Instrumentalstück
  5. O clarissima mater, response
  6. Misc. instrumental pieces associated with Hildegard recordings: Instrumentalstück
  7. Spiritui sancto honor sit, response
  8. O virtus Sapientiae, antiphon
  9. O lucidissima apostolorum, response for the apostles
  10. Misc. instrumental pieces associated with Hildegard recordings: Instrumentalstück
  11. O successores fortissimi, antiphon to the confessors
  12. O vis eternitatis, response
  13. Misc. instrumental pieces associated with Hildegard recordings: Instrumentalstück
  14. Vos flores rosarum, response for the martyrs
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Composed in the mid twelfth century around the time Hildegard also began writing of her mystical visions, the hymns and sequences in her Symphoniae share the same poetic imagery and intensity of expression as her other religious writings. Hildegard's fluid monody differs dramatically from the plainchant hymns of the church, where balanced phrases and stepwise motion were the norm. Instead, her chants are highly melismatic and wide ranging, shaped more in the interests of expressing the meaning of her original texts than to ...

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