Skip to main content alibris logo
Heinrich Schütz: Musikalische Exequien & Motetten - Delix Demel (bass); Felix Haberland (tenor); Felix Weiser (tenor); Jakob Würfel (tenor); Jan-Philipp Noirhomme (bass);...
Filter Results
Shipping
Item Condition
Seller Rating
Other Options
Change Currency
Track Listing
  1. Das ist je gewißlich wahr, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 388 (Op. 11/20)
  2. Wie habe ich dein Gesetze so lieb (Psalm 119: Mem & Nun), for double chorus & continuo (Der Schwanengesang), SWV 488
  3. Pavane a 8, for ensemble
  4. Das Wort ward Fleisch und wohnet unter uns, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 385 (Op. 11/17)
  5. Herr, nun lässest du deinen Diener, for soprano, alto, 2 tenors, bass & continuo ad lib, SWV 432-433
Show All Tracks
  1. Das ist je gewißlich wahr, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 388 (Op. 11/20)
  2. Wie habe ich dein Gesetze so lieb (Psalm 119: Mem & Nun), for double chorus & continuo (Der Schwanengesang), SWV 488
  3. Pavane a 8, for ensemble
  4. Das Wort ward Fleisch und wohnet unter uns, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 385 (Op. 11/17)
  5. Herr, nun lässest du deinen Diener, for soprano, alto, 2 tenors, bass & continuo ad lib, SWV 432-433
  6. Musikalische Exequien (Funeral Music), for double chorus & continuo, SWV 279-281 (Op. 7)
  7. Suite for 5 instruments No. 10 in D minor (Banchetto musicale)
Show Fewer Tracks
Browse related Genres
+ Browse All Genres

The polychoral style associated with St. Mark's cathedral in Venice, and with the German composers who went there to soak it up, depends on a specific sonic environment that is extraordinarily difficult to reproduce on recordings. A composer like Heinrich Schütz wrote music for specific occasions, with use of space counterbalanced against the range of styles, from formal German polyphony to nearly operatic effects, that he had inherited and heard around him. Those factors are displayed in an exemplary way in the ...

loading