Director Margarethe von Trotta collaborates with screenwriter Pamela Katz to explore a key chapter in the life of German/Jewish political theorist and philosopher Hannah Arendt (Barbara Sukowa), who coined the phrase "banality of evil" while covering the 1961 trial of former Nazi Adolf Eichmann for The New Yorker. As the high-profile trial gets underway, Sukowa's astute observations on both Eichmann and the Jewish councils prove to be highly thought-provoking, and deeply controversial. Jason Buchanan, Rovi
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Director Margarethe von Trotta collaborates with screenwriter Pamela Katz to explore a key chapter in the life of German/Jewish political theorist and philosopher Hannah Arendt (Barbara Sukowa), who coined the phrase "banality of evil" while covering the 1961 trial of former Nazi Adolf Eichmann for The New Yorker. As the high-profile trial gets underway, Sukowa's astute observations on both Eichmann and the Jewish councils prove to be highly thought-provoking, and deeply controversial. Jason Buchanan, Rovi
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Making a film about a philosopher presents challenges. Philosophers and the life of reflection are internalized and often require patience and discipline to understand. Movies for a wide audience tend to depend on action. Directed by Margarethe von Trotta and starring Barbara Sukowa in the title role, "Hannah Arendt" has the famous German-Jewish émigré philosopher as its subject. If understandably slow in places, "Hannah Arendt" is worthwhile. The movie played in an independent theater in Washington, D.C. and is available on DVD. The movie is in part in English and in part in German, with subtitles.
Hannah Arendt (1906 -- 1975) studied philosophy in Germany and wrote her dissertation (on St. Augustine) under Karl Jaspers. She became an American citizen in 1950, and taught and wrote widely. In 1961, Arendt covered the trial of Adolph Eichmann in Jerusalem and wrote what became her most famous book, "Eichmann in Jerusalem" which was and remains highly controversial. The book became known for the term "banality of evil" which Arendt seemed to use to characterize Eichmann's activities.
The movie "Hannah Arendt" focuses upon Arendt's coverage of the Eichmann trial and the controversy her book engendered. Much of the book is set in the rarefied world of the New York City intellectual as Arendt is shown with her dear friend Mary McCarthy (Janet McTeer), her beloved but philandering husband Heinrich (Axel Milberg), and others. There are scenes of Arendt teaching her classes and less effective scenes of the philosopher alone with herself thinking and writing.
Then there are scenes of Eichmann and the trial using original footage. I found these scenes effective. Arendt observes and ponders, less facts than theory and motivation. She studied the trial transcript but did not observe the trial in its entirety.
The movie tries to capture something of Arendt's thoughts, at the inevitable price of over-simplification. It captures well the furor resulting from the book, with some readers thinking that Arendt trivialized Eichmann and perhaps even the Holocaust. The movie includes a ringing scene in which Arendt defends her book before a skeptical university audience.
Flashbacks show Arendt's affair as a young impressionable college student with the famous philosopher Martin Heidegger, married and many years older than Arendt. Many years after she became famous herself, Arendt got back in touch with the aged Heidegger and visited him and his wife.
Arendt's claim about the banality of evil emphasizes the ease with which people can be ensnared. Many today would argue that Arendt said something difficult and important about the "banality of evil" while she misjudged radically the character and deep personal culpability of Eichmann.
"Hanna Arendt" is thoughtful and captures its time and characters, including the chain-smoking philosopher, but it plods at times. It remains a good rare attempt to think about philosophy through film.