Add this copy of Gunnar Berg: Chamber Music Works with Piano to cart. $16.11, new condition, Sold by Importcds rated 4.0 out of 5 stars, ships from Sunrise, FL, UNITED STATES, published 2012 by Dacapo.
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Gunnar Berg. New. New in new packaging. USA Orders only! Brand New product! please allow delivery times of 3-7 business days within the USA. US orders only please.
Add this copy of Gunnar Berg: Chamber Music Works with Piano to cart. $19.34, new condition, Sold by Importcds rated 4.0 out of 5 stars, ships from Sunrise, FL, UNITED STATES, published 2012 by Dacapo.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Gunnar Berg. New. New in new packaging. USA Orders only! Brand New product! please allow delivery times of 3-7 business days within the USA. US orders only please.
Add this copy of Chamber Music Works With Piano to cart. $21.26, new condition, Sold by newtownvideo rated 4.0 out of 5 stars, ships from huntingdon valley, PA, UNITED STATES, published 2012 by Dacapo.
Add this copy of G. Berg: Open Space Serie, Chamber Music With Piano to cart. $29.02, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2012 by DACAPO RECORDS.
Gunnar Berg is another in a long line of Danish composers who are finally receiving long overdue attention, thanks to wonderful Dacapo recordings like this one. Berg is noteworthy for having written the first Danish serial composition in 1950, but it?s not necessary to be familiar with that imposing term to enjoy his music, which communicates with rare emotional directness. Adding to the music?s accessibility is its basic tranquility; even Berg?s orchestral pieces have a chamber music intimacy. The spare, evocative works on this release were written between 1949 and 1969, and feature minimal instrumentation. Piano is present on all tracks, accompanied variously by cello, violin, marimba, clarinet, trumpet, saxophone and voice. Each piece proceeds with almost stately deliberation, which allows the listener to focus on the intricacy of their construction while surrendering to their beguiling colors and textures. Berg?s use of space and tonality reminds me at times of Webern, at others of Takemitsu, but his impressionistic language is fully original. He tends to use the piano in percussive fashion, relying on the stringed instruments to warm the edges around the music?s cool heart. Listening to these works is like huddling near a fire on a cold winter day. Berg rarely discussed the structural underpinnings of his music, preferring to let his compositions speak for themselves, which they do with unsurpassed and affecting eloquence.
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