Add this copy of Guide to filmmaking to cart. $3.49, fair condition, Sold by Moss Glen Books rated 4.0 out of 5 stars, ships from New Haven, CT, UNITED STATES, published 1969 by New American Library.
Add this copy of Guide to Filmmaking to cart. $3.50, good condition, Sold by Jeff Stark rated 3.0 out of 5 stars, ships from Barstow, CA, UNITED STATES, published 1972 by New American Library.
Add this copy of Guide to Filmmaking to cart. $4.48, fair condition, Sold by ThriftBooks-Baltimore rated 5.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published by Signet.
Add this copy of Guide to Filmmaking to cart. $4.49, good condition, Sold by Poquette's Books rated 5.0 out of 5 stars, ships from Dewitt, MI, UNITED STATES, published 1969 by Signet.
Add this copy of Guide to filmmaking to cart. $5.99, good condition, Sold by Moss Glen Books rated 4.0 out of 5 stars, ships from New Haven, CT, UNITED STATES, published 1969 by New American Library.
Add this copy of Guide to Filmmaking to cart. $7.95, very good condition, Sold by Becker's Books rated 3.0 out of 5 stars, ships from Houston, TX, UNITED STATES, published 1969 by Signet Book.
Add this copy of Guide to Filmmaking to cart. $9.50, good condition, Sold by bibliophonics rated 5.0 out of 5 stars, ships from Rapid River, MI, UNITED STATES, published 1969 by Signet Books.
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Seller's Description:
Reid, David E. (Drawings) Good. Book. 8vo-over 7¾"-9¾" tall. First printing, October 1969. Some corner, edge wear. Pages good, no writing. From choosing the camera to screening the move-a complete and practical production manual. Illustrated w/ photographs and drawings. 256 pages. Few bookstore marks.
Add this copy of Guide to Filmmaking to cart. $22.62, very good condition, Sold by Lisa Van Munster rated 5.0 out of 5 stars, ships from Oshawa, ON, CANADA, published 1969 by A Signet Book-The New American Library, Inc..
Edition:
1969, A Signet Book-The New American Library, Inc.
Publisher:
A Signet Book-The New American Library, Inc.
Published:
1969
Language:
English
Alibris ID:
9998390747
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Seller's Description:
John E. Reid. Very Good. 12mo-over 6¾"-7¾" tall. Light Creasing on Front, Rear Covers, Spine; Front, Rear Covers, Spine Lightly Chipped; Light Moisture Damage (Staining); Edges Lightly Soiled; Heavy Yellowing Due to Age. From choosing the camera to screening the movie-a complete and practical production manual for the student, teacher, and independent filmmaker. Illustrated with photographs and drawings. BOOK NUMBER: W3992. PHOTOGRAPHS: David N. Hancock. CONTENTS: Preface; I. 8mm and 16mm II. The Camera III. The Lens IV. Exposure V. Film Raw Stock VI. Filming VII. Lighting VIII. The Laboratory IX. Problems of Color Filming X. Filters XI. Picture Editing XII. Preparing the Original for Printing XIII. Sound XIV. Sound Recording XV. Synchronous Sound XVI. Sound Editing; Epilogue: Showing the film; Appendix A: A Comparison of Running Times and Formats of 8mm, Super 8, and 16mm Motion Picture Films; Appendix B: Handling, Repair, and Storage of Eastman Kodak 16mm Motion Picture Films; Appendix C: Depth of Field Charts; Appendix D: Selected Bibliography; Index. SYNOPSIS: Join the Filmmaking Revolution. 8mm vs 16mm; The Camera; The Lens; Film Raw Stock; The Filming Itself; Lighting; Color; Sound; Lab Work; Editing; Printing; Projection. The aim of this extraordinary guide is to provide the complete technical know-how needed to make a professional film. Anticipated is every question and problem that may arise. The growing multiplicity of new equipment is thoroughly discussed. The full range of creative possibilities of the medium is brilliantly examined. Here is the one book that the student, teacher, and maker of films should always have within easy reach. -and-Join the Filmmaking Revolution. Today major technical advances, coupled with growing acceptance of film language, have turned millions the country over into enthusiastic filmmakers. But there is more to this exciting creative activity than meets the eye-basic fundamentals and advanced techniques that make the vital difference in final quality. How you do make your pick among the bewildering array of new cameras? Decide on your best film gauge? Clean a lens? Figure exposure time? Work up special effects? Employ a shooting script? Establish continuity? Shoot in daylight and after dark? Synchronize your sound? Cut and splice? Prepare the film for printing? Find the special equipment and services you may need at different stages of production? These are but a few of the questions answered in full in Guide to Filmmaking.
