Gronk was born in 1954 in the barrios of East Los Angeles. An autodidact by circumstance, he began his career as an urban muralist who had to look up the word "mural" to know whether he could paint one. Over time, he has grown into an international figure who has created grand sets for operas and computerized animation for panoramic screens. In this sweeping examination of Gronk's oeuvre, Max Benavidez elucidates how the artist can cross genres, sexual categories, and ethnic barriers, yet still remain true to himself. From ...
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Gronk was born in 1954 in the barrios of East Los Angeles. An autodidact by circumstance, he began his career as an urban muralist who had to look up the word "mural" to know whether he could paint one. Over time, he has grown into an international figure who has created grand sets for operas and computerized animation for panoramic screens. In this sweeping examination of Gronk's oeuvre, Max Benavidez elucidates how the artist can cross genres, sexual categories, and ethnic barriers, yet still remain true to himself. From street murals to mail art, from large-scale action painting to performance art and operatic set design, Gronk has made a lasting mark on the Chicano art movement, the punk scene, gay art, and the cultural world stage. As a founder of the East L.A. avant-garde art collective Asco (Spanish for nausea), Gronk and his contemporaries responded to Hollywood's rejection of Chicanos by creating a conceptual countercinema, the No Movie, that incorporated Hollywood imagery and style even as it wickedly dissected the banality and biases of the mass media. In collaborations with Cyclona, Mundo Meza, Jerry Dreva, and Tomata DuPlenty, Gronk challenged the limits of sexuality, gender norms, and taste. What Benavidez ultimately reveals is Gronk's uncanny power to reinvent himself and his art, moving through one vivid artistic and subcultural scene to another. Add large doses of Gronk's wit, irony, and talent and you have the story of his major contribution not only to Chicano art but to late twentieth-century culture. Max Benavidez is a writer, independent scholar, essayist for the Los Angeles Times, and a consultant to a wide range of cultural and academic institutions.
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Add this copy of Gronk (a Ver) to cart. $20.93, fair condition, Sold by Goodwill Indust. of San Diego rated 5.0 out of 5 stars, ships from San Diego, CA, UNITED STATES, published 2007 by Chicano Studies Research Center Publications.
Edition:
2007, Chicano Studies Research Center Publications
Publisher:
Chicano Studies Research Center Publications
Published:
2007
Language:
English
Alibris ID:
18296612208
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Fair. Creases on cover, spine, or pages; book does not lay completely flat. The book has obvious wear, but its integrity is intact. A readable copy only. Used books should not be expected to come with working access codes or bundled media. Please ask to verify before purchase.
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2007, Chicano Studies Research Center Publications
Add this copy of Gronk (a Ver) to cart. $47.67, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2007 by Chicano Studies Research Cente.
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2007, Chicano Studies Research Center Publications
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Edition:
2007, Chicano Studies Research Center Publications
Publisher:
Chicano Studies Research Center Publications
Published:
2007
Language:
English
Alibris ID:
18297034049
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New. Num Pages: 200 pages, 95 colour photos. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 11. Weight in Grams: 472. 2007. First Edition. paperback.....We ship daily from our Bookshop.
Add this copy of Gronk (a Ver) to cart. $73.95, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2007 by Chicano Studies Research Cente.
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2007, Chicano Studies Research Center Publications
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2007, Chicano Studies Research Center Publications
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2007, Chicano Studies Research Center Publications