Excerpt from Griechische Kunstmythologie, Vol. 3: Besonderer Theil; F???nftes Buch, Apollon Anikonische Agalmata S. 3. Alteste ikonische Agalrnata S. 6. Die ???ltesten Werke namhafter K???nstler S. 10. Dipoinos und Skyllis S. 10. ???lteste erhaltene Statuen S. 11. Ihre Ana10ga iu Vasen und Wandgern???lden und in Statuetten S. 15. Tektaios und Angelion S. 17. Cheirisophoa, Lapha???s S. 21. Kanachos von Sikyon S. 22. Analoge Monumente S. 24. Die Statue von Piombino S. 29 (n. Die Beilage S. apollona Strangford S. 32. Statue ...
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Excerpt from Griechische Kunstmythologie, Vol. 3: Besonderer Theil; F???nftes Buch, Apollon Anikonische Agalmata S. 3. Alteste ikonische Agalrnata S. 6. Die ???ltesten Werke namhafter K???nstler S. 10. Dipoinos und Skyllis S. 10. ???lteste erhaltene Statuen S. 11. Ihre Ana10ga iu Vasen und Wandgern???lden und in Statuetten S. 15. Tektaios und Angelion S. 17. Cheirisophoa, Lapha???s S. 21. Kanachos von Sikyon S. 22. Analoge Monumente S. 24. Die Statue von Piombino S. 29 (n. Die Beilage S. apollona Strangford S. 32. Statue aus Gir genti S. 33. Statue aus dem Ptoion S. 33. Statuetten S. 34. ???lteste schwarzflgufige Vasenbilder S. 38. Apollon Kithar0dos in of. Vasen bildern S. 41 if. Apollon als sitzender Kithara und Lyraspieler S. 64. Attributive Zugaben S. 66. Im Dreifu???raube S. 60. Rothflgurige Vasenbilder strengen Stiles S. 62. Apollon als Kitharode S. 62. Apollon in anderen Gestaltungen und Situationen S. 63. Rollete S. 67. M???nzen S. 72. K???pfe S. 72. Ganze Gestalten S. 72. Beilage S. 78 (die Statue von Piombino). About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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