A beautifully illustrated look at the exquisite metal sculpture of the Roman baroque Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are overlooked, and the extensive production of sculptural silver--much of which is now lost but can be studied from drawings--is omitted from the histories of art. In these lectures, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating these works in ...
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A beautifully illustrated look at the exquisite metal sculpture of the Roman baroque Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are overlooked, and the extensive production of sculptural silver--much of which is now lost but can be studied from drawings--is omitted from the histories of art. In these lectures, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating these works in metal: the bronzes that adorn the great tabernacles, which are a prominent feature of Roman churches; the often gilded silver, both secular and ecclesiastical; and elaborately embossed display dishes. She also looks at the production of medals, an essential aspect of metal sculpture that is usually confined to specialist literature. The book concentrates on selected pieces by such master sculptors as Bernini, and leading metal-workers such as Giovanni Giardini. Making extensive use of archival documents and drawings, Montagu examines the often tortuous relationship between the patrons and the artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures. In this way, she provides insights into the procedures of the workshops and at the same time opens our eyes to a new and fascinating area of sculpture.
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Add this copy of Gold, Silver & Bronze: Metal Sculpture of the Roman to cart. $21.00, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 1996 by Princeton University Press.
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VG/VG (Light foxing to upper block and inside of dj. Some light scuffs to back of dj; otherwise clean. ) Dark blue cloth over boards; gilt letters on spine; black and color illustrated dust jacket, xvii, 262 pp.; 226 illustrations, 90 in color. "Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are overlooked, and the extensive production of sculptural silver--much of which is now lost but can be studied from drawings--is omitted from the histories of art. In these lectures, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating these works in metal: the bronzes that adorn the great tabernacles, which are a prominent feature of Roman churches the often gilded silver, both secular and ecclesiastical and elaborately embossed display dishes. She also looks at the production of medals, an essential aspect of metal sculpture that is usually confined to specialist literature. The book concentrates on selected pieces by such master sculptors as Bernini, and leading metal-workers such as Giovanni Giardini. Making extensive use of archival documents and drawings, Montagu examines the often tortuous relationship between the patrons and the artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures. In this way she provides insights into the procedures of the workshops, and at the same time opens our eyes to a new and fascinating area of sculpture"--Publisher description. Includes bibliographical references (pages 249-255) and index.
Add this copy of Gold, Silver, and Bronze: Metal Sculpture of the Roman to cart. $33.47, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2023 by Princeton University Press.
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Fine. Trade paperback (US). Glued binding. 280 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Gold, Silver, and Bronze: Metal Sculpture of the Roman to cart. $33.81, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2023 by Princeton University Press.
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New. Trade paperback (US). Glued binding. 280 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Gold, Silver, and Bronze: Metal Sculpture of the Roman to cart. $33.82, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2023 by Princeton University Press.
Add this copy of Gold, Silver, and Bronze: Metal Sculpture of the Roman to cart. $40.00, very good condition, Sold by Hennessey + Ingalls rated 5.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 1996 by Princeton University Press.
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Used-Very Good. Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are overlooked, and the extensive production of sculptural silver--much of which is now lost but can be studied from drawings--is omitted from the histories of art. In these lectures, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating these works in metal: the bronzes that adorn the great tabernacles, which are a prominent feature of Roman churches; the often gilded silver, both secular and ecclesiastical; and elaborately embossed display dishes. She also looks at the production of medals, an essential aspect of metal sculpture that is usually confined to specialist literature. The book concentrates on selected pieces by such master sculptors as Bernini, and leading metal-workers such as Giovanni Giardini. Making extensive use of archival documents and drawings, Montagu examines the often tortuous relationship between the patrons and the artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures. In this way she provides insights into the procedures of the workshops, and at the same time opens our eyes to a new and fascinating area of sculpture. Very nice clean, tight copy free of any marks.
