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Giovanni Pierluigi da Palestrina, Vol. 8 ()

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Giovanni Pierluigi da Palestrina, Vol. 8 - The Sixteen; Harry Christophers (conductor)
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  1. Ego sum panis vivus qui, motet for 5 voices (from Motets Book I)
  2. Fratres ego enim accepi, motet for 8 voices
  3. Accepit Jesus, motet for 6 voices (from Motets Book III)
  4. Missa Fratres ego enim accepti, for 8 voices
  5. Caro mea, motet for 8 voices
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  1. Ego sum panis vivus qui, motet for 5 voices (from Motets Book I)
  2. Fratres ego enim accepi, motet for 8 voices
  3. Accepit Jesus, motet for 6 voices (from Motets Book III)
  4. Missa Fratres ego enim accepti, for 8 voices
  5. Caro mea, motet for 8 voices
  6. Pater noster, motet for 5 voices (from Motets Book III)
  7. Sacerdotes Domini, offertory for 5 voices (from Complete Offertories)
  8. Quam pulchri sunt gressus tui, motet for 5 voices (from Motets Book IV from Canticis canticorum)
  9. Duo ubera tua, motet for 5 voices (from Motets Book IV from Canticis canticorum)
  10. Quam pulchra es, motet for 5 voices (from Motets Book IV from Canticis canticorum)
  11. Victimae Paschali, motet for 8 voices (unspecified of 4)
  12. Pange lingua gloriosi, hymn for 5 voices (from Complete Hymns)
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The Sixteen, and leader Harry Christophers, have strong-selling, broadly appealing items galore in their catalog, and it is noteworthy to see the group undertake a project with less commercial potential, an ongoing series of music by Palestrina. The series began in the mid-2010s and here reaches its eighth volume. Palestrina is a composer for whom the same few works seem to be recorded over and over, and any complete picture of the classicizing phase of late Renaissance polyphony should include a broader picture of his ...

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