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Giovanni Pierluigi da Palestrina, Vol. 7 - Eamonn Dougan (bass); Ian Aitkenhead (alto); Jimmy Holliday (bass); Martha McLorinan (alto); The Sixteen (choir, chorus)
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  1. Missa Descendit angelus Domini, for 4 voices
  2. Ave maris stella, hymn for 5 voices (from Complete Hymns)
  3. In dieabus illis mulier, motet for 4 voices
  4. Beatae Mariae Magdalanae, motet for 5 voices (from Motets Book I)
  5. Beata Barbara, motet for 6 voices (from Motets Book II for 5, 6 & 8 voices)
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  1. Missa Descendit angelus Domini, for 4 voices
  2. Ave maris stella, hymn for 5 voices (from Complete Hymns)
  3. In dieabus illis mulier, motet for 4 voices
  4. Beatae Mariae Magdalanae, motet for 5 voices (from Motets Book I)
  5. Beata Barbara, motet for 6 voices (from Motets Book II for 5, 6 & 8 voices)
  6. Adiuro vos filiae, motet for 4 voices (from Motets Book IV from Canticus Canticorum)
  7. Caput eius aurum, motet for 5 voices (from Motets Book IV from Canticis canticorum)
  8. Dilectus meus descendit, motet for 5 voices (from Motets Book IV from Canticis canticorum)
  9. Sussana ab improbis, motet for 6 voices (from Motets Book III)
  10. Veni sponsa Christi, motet for 4 voices
  11. Missa Ave regina cælorum, for 4 voices
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The Sixteen and their leader Harry Christophers have long been among the most popular groups on the British choral scene. They have plenty of laurels to rest on, and thus they're to be commended for their ambitious, large-scale Palestrina project, launched in the mid-2010s and reaching its seventh volume with this album. Palestrina is a composer for whom the same few works seem to be recorded over and over, and the Sixteen's albums, which have been rewarded with top chart placement, will broaden listeners' perspectives on ...

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