Vasari famously wrote that Giotto "recovered the true method of painting, which been lost for many years before him," and indeed he is traditionally considered a founder of the Italian Renaissance. Producing a series of commissioned works for the church and upper classes in his native Tuscany and surrounding regions, Giotto changed the course of European art by breaking away from the rigid, stereotyped figures of the Byzantine and Giotto medieval traditions. His innovation was to give his characters natural movement and ...
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Vasari famously wrote that Giotto "recovered the true method of painting, which been lost for many years before him," and indeed he is traditionally considered a founder of the Italian Renaissance. Producing a series of commissioned works for the church and upper classes in his native Tuscany and surrounding regions, Giotto changed the course of European art by breaking away from the rigid, stereotyped figures of the Byzantine and Giotto medieval traditions. His innovation was to give his characters natural movement and expression. His great fresco cycles, such as the lives of the Virgin and Christ in the Scrovegni (or Arena) Chapel, Padua, are populated with realistic depictions of three-dimensional figures; secondary characters, both comic and tragic, display the range of the painter's wit and invention. And Giotto's treatment of perspective was just as revolutionary as his approach to the human form. The dramatic power of his scenes is heightened by the convincing illusionistic spaces in which he places them. In this authoritative survey of Giotto's life and work, Professor Francesca Flores d'Arcais draws on an impressive range of sources, from fourteenth-century documents to the most recent art - historical investigations. Her research leads her to important re-attributions of Giottesque paintings and to new conclusions regarding the execution and dating of both famous and lesser-known works. This second edition also includes a discussion of the earthquake of September 29, 1997 that damaged the frescoes of the Upper Basilica of San Francesco in Assisi - some of which are attributed to the artist in the early phase of his career - and the restoration effort that followed. More than three hundred illustrations, most in full color and some on double gatefold pages, reproduce all of Giotto's important frescoes in exquisite detail, as well as his moving crucifixes and jewel-like polyptychs. These illustrations are based on new photography of Giotto's paintings, many of which have recently been restored to their original brilliance, making this the definitive monograph on the greatest of trecento masters.
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Add this copy of Giotto to cart. $255.02, fair condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2012 by Abbeville Press.
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Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.
Add this copy of Giotto to cart. $415.69, new condition, Sold by Just one more Chapter, ships from Miramar, FL, UNITED STATES, published 2012 by Abbeville Press.
Add this copy of Giotto to cart. $2,470.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2012 by Abbeville Press.
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New. 0789211149. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--384 pp.; 296 illus. (202 in color. )--with a bonus offer--
