From prescient proto-selfies to COVID and AI: the democratic portraiture of Gillian Wearing One of the most influential conceptual artists of her generation, Gillian Wearing first gained recognition in the 1990s for groundbreaking photographs and videos that recorded the confessions and interactions of ordinary people she befriended through chance encounters. In its candor and psychological intensity, her work extends the traditions of portraiture initiated by Sander, Weegee and Arbus. Yet in her ongoing attention to ...
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From prescient proto-selfies to COVID and AI: the democratic portraiture of Gillian Wearing One of the most influential conceptual artists of her generation, Gillian Wearing first gained recognition in the 1990s for groundbreaking photographs and videos that recorded the confessions and interactions of ordinary people she befriended through chance encounters. In its candor and psychological intensity, her work extends the traditions of portraiture initiated by Sander, Weegee and Arbus. Yet in her ongoing attention to technology's role in the presentation of self, Wearing has presciently identified defining aspects of contemporary visual culture, from reality television to the rise of the selfie. Published for Wearing's first North American retrospective, Gillian Wearing: Wearing Masks traces the acclaimed artist's practice from her earliest Polaroids and videos to her most recent production, including large-scale photographic self-portraits of Wearing in the guise of other artists; a more intimate body of self-portraits titled Lockdown; and installations and commissioned public sculpture. Essays by co-curators Jennifer Blessing and Nat Trotman provide an overview of Wearing's oeuvre, and a "self-interview" by Wearing offers a revealing firsthand account of the artist's practice, including her ongoing project Your Views (2013-), in which she has recently responded to the COVID-19 pandemic, and her exploration of AI technology in the video work Wearing, Gillian (2018). Gillian Wearing (born 1963) became associated with the Young British Artists (YBAs) after graduating from Goldsmiths College in 1990, and went on to win the Turner Prize in 1997. She works equally in photography, video, sculpture, installation and, most recently, painting. Wearing became well known early on for her now-landmark piece Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992-93), for which she photographed almost 200 strangers with placards of their own making.
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Add this copy of Gillian Wearing: Wearing Masks to cart. $21.19, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2021 by Guggenheim Museum.
Add this copy of Gillian Wearing: Wearing Masks to cart. $33.37, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2021 by Guggenheim Museum.
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HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Add this copy of Gillian Wearing: Wearing Masks to cart. $55.04, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Hialeah, FL, UNITED STATES, published 2021 by Guggenheim Museum.
Add this copy of Gillian Wearing: Wearing Masks to cart. $156.69, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Hialeah, FL, UNITED STATES, published 2022 by Guggenheim Museum Publications.
