Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Acad???mie Royale de Musique, Op???ra-Comique, Th????ótre Italien, Th????ótre Royal de l'Od???on and ...
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Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Acad???mie Royale de Musique, Op???ra-Comique, Th????ótre Italien, Th????ótre Royal de l'Od???on and Th????ótre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Od???on and Op???ra-Comique to the opera house where he eventually made his greatest impact - the Acad???mie Royale de Musique; the shift from Op???ra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Hal???vy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two op???ras comiques.
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Add this copy of Giacomo Meyerbeer and Music Drama in Nineteenth-Century to cart. $80.31, new condition, Sold by Booksplease rated 4.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2018 by Routledge.
Add this copy of Giacomo Meyerbeer and Music Drama in Nineteenth-Century to cart. $85.92, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2018 by Routledge.
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Add this copy of Giacomo Meyerbeer and Music Drama in Nineteenth-Century to cart. $95.00, very good condition, Sold by Moe's Books rated 5.0 out of 5 stars, ships from Berkeley, CA, UNITED STATES, published 2005 by Ashgate.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 850grams, ISBN: 0860789152.
Add this copy of Giacomo Meyerbeer and Music Drama in Nineteenth-Century to cart. $124.39, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2018 by Routledge.
Add this copy of Giacomo Meyerbeer and Music Drama in Nineteenth-Century to cart. $250.40, new condition, Sold by Booksplease rated 4.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2005 by Routledge.
