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G.F. Händel: Neun Deutsche Arien - Batzdorfer Hofkapelle; Marie Friederike Schöder (soprano)
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Track Listing
  1. Künft' ger Zeiten eitler Kummer (German Aria No.1), hymn for soprano & continuo, HWV 202
  2. Die ihr aus dunkeln Grüften (German Aria No.7), hymn for soprano & continuo, HWV 208
  3. Singe, Seele, Gott zum Preise (German Aria No.5), hymn, for soprano & continuo, HWV 206
  4. Violin Sonata in G minor, Op.1/6, HWV 364a
  5. Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207
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  1. Künft' ger Zeiten eitler Kummer (German Aria No.1), hymn for soprano & continuo, HWV 202
  2. Die ihr aus dunkeln Grüften (German Aria No.7), hymn for soprano & continuo, HWV 208
  3. Singe, Seele, Gott zum Preise (German Aria No.5), hymn, for soprano & continuo, HWV 206
  4. Violin Sonata in G minor, Op.1/6, HWV 364a
  5. Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207
  6. Süsser Blumen Ambraflocken (German Aria No.3), hymn for soprano & continuo, HWV 204
  7. Flammende Rose, zierde der Erden (German Aria No.9), hymn for soprano & continuo, HWV 210
  8. Pieces (7) for Musical Clock in C major, HWV 598-604: A voluntary or a Flight of Angels HWV 600
  9. Tunes (11) for Clay's Musical Clock, HWV 587-597: Aria in C major HWV 597
  10. Tunes (11) for Clay's Musical Clock, HWV 587-597: Gigue in C major HWV 589
  11. In den angenehmen Büschen (German Aria No.8), hymn for soprano & continuo, HWV 209
  12. Das zitternde Glänzen (German Aria No.2), hymn, for soprano & continuo, HWV 203
  13. Süsse Stille, sanfte Quelle (German Aria No.4), hymn for soprano & continuo, HWV 205
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Handel's Neun Deutsche Arien , or Nine German Arias, were written not at the beginning of the composer's career in north Germany, but in the mid-1720s in London, to texts by his friend B.H. Brockes. They are unusual works: not formally, for they follow the established da capo structure of the day, but in the texts and Handel's response to them. They are not easily classified as either sacred or secular, but you might call them sacred arias with secular subject matter. German soprano Marie Friederike Schöder does well to ...

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