Liberated from the constraints of tradition, the Pre-Raphaelites of mid-Victorian England produced distinctive representations of nature and society in paintings remarkable for their compositional vitality and hallucinatory effects of color. This lavishly illustrated book provides a fresh appraisal of the Pre-Raphaelite artists and their radical departure from artistic conventions. Tim Barringer explores the meanings so richly encoded in Pre-Raphaelite paintings and analyzes key pictures and their significance within the ...
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Liberated from the constraints of tradition, the Pre-Raphaelites of mid-Victorian England produced distinctive representations of nature and society in paintings remarkable for their compositional vitality and hallucinatory effects of color. This lavishly illustrated book provides a fresh appraisal of the Pre-Raphaelite artists and their radical departure from artistic conventions. Tim Barringer explores the meanings so richly encoded in Pre-Raphaelite paintings and analyzes key pictures and their significance within the complex social and cultural matrix of nineteenth-century Britain. In chapters devoted to core themes, the author discusses such artists as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, and Ford Madox Brown and their engagement with medieval revivalism, nature worship, issues of class and gender, and the reconciliation of the religious image and realism. Barringer draws on an imaginative selection of paintings, drawings, and contemporary photographs to suggest that the dynamic energy of Pre-Raphael-ism arose from paradoxes at its heart. Past and present, historicism and modernity, symbolism and realism, as well as tensions between city and country, man and woman, worker and capitalist, colonizer and colonized--all appear within Pre-Raphaelite art. Focusing on these issues, the author casts new light on the Pre-Raphaelites and their innovative work. Published for the Paul Mellon Center for Studies in British Art
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Add this copy of Frederic Leighton: Antiquity, Renaissance, Modernity to cart. $11.20, good condition, Sold by Zoom Books Company rated 4.0 out of 5 stars, ships from Lynden, WA, UNITED STATES, published 1999 by Paul Mellon Centre.
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Book is in good condition and may contain underlining or highlighting and minimal wear. The book can also include library labels. May not contain miscellaneous items (toys, dvds, etc). We offer 100% money back guarantee and fast customer support.
Add this copy of Frederic Leighton: Antiquity, Renaissance, Modernity to cart. $12.14, fair condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 1999 by Paul Mellon Centre BA.
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Fair. Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.
Add this copy of Frederic Leighton: Antiquity Renaissance Modernity to cart. $45.00, like new condition, Sold by Ray Boas, Bookseller rated 5.0 out of 5 stars, ships from Walpole, NH, UNITED STATES, published 1999 by Yale University Press.
Add this copy of Frederic Leighton: Antiquity, Renaissance, Modernity.; to cart. $50.00, like new condition, Sold by J. Hood, Booksellers, Inc. rated 5.0 out of 5 stars, ships from Baldwin City, KS, UNITED STATES, published 1999 by Published for the Paul Mellon Centre for Studies in British Art, The....
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As new, clean, tight and bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve. 100 b&w plates, XVII color plates, 332pp.
Add this copy of Frederic Leighton: Antiquity, Renaissance, Modernity to cart. $53.09, like new condition, Sold by Paul Brown Books rated 2.0 out of 5 stars, ships from Ramsgate, UNITED KINGDOM, published 1999 by -Yale University Press (1 Feb 1999)-.
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First edition. xxxii+332 pages. Illustrated in colour and black and white. Paul Mellon Centre for Studies in British Art. Cloth. Fine in dustjacket. A collection of writings reinterpreting the art of Frederic Leighton, challenging the view that limits him to the category of "Victorian artist". It extends the discussion beyond Leighton's life and addresses issues such as gender and sexuality, and the artist's identity and self-positioning.
Add this copy of Frederic Leighton: Antiquity, Renaissance, Modernity to cart. $61.31, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1999 by Paul Mellon Centre.
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New. A collection of writings reinterpreting the art of Frederic Leighton, challenging the view that limits him to the category of "Victorian artist". It extends the discussion beyond Leighton's life and addresses issues such as gender and sexuality, and the artist's identity and self-positioning. Editor(s): Barringer, Tim; Prettejohn, Elizabeth. Series: Studies in British Art. Num Pages: 384 pages, 100 b/w + 17 color illus. BIC Classification: 1DBKE; 3JH; ACV; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 262 x 183 x 33. Weight in Grams: 1380. 1999. 1st Edition. Hardcover.....We ship daily from our Bookshop.
Add this copy of Frederic Leighton Antiquity, Renaissance, Modernity 5 to cart. $68.77, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 1999 by Yale University Press.