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Franz Liszt, Erik Satie: Distant Friends ()

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composed by Erik Satie, Franz Liszt

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Franz Liszt, Erik Satie: Distant Friends - Andreas Seidel (violin); Steffen Schleiermacher (piano)
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Track Listing
  1. La Lugubre gondola II, for piano, S. 200/2 (LW A319b)
  2. Kleine Klavierstücke (4), for piano, S. 192 (LW A233/1-4)
  3. Sospiri!, for piano, S. 192/5 (LW A233/5) (Kleine Klavierstücke No. 5)
  4. Première pensée Rose + Croix, for piano
  5. Elegie II, for violin (or cello) & piano, S. 131 (LW D14)
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  1. La Lugubre gondola II, for piano, S. 200/2 (LW A319b)
  2. Kleine Klavierstücke (4), for piano, S. 192 (LW A233/1-4)
  3. Sospiri!, for piano, S. 192/5 (LW A233/5) (Kleine Klavierstücke No. 5)
  4. Première pensée Rose + Croix, for piano
  5. Elegie II, for violin (or cello) & piano, S. 131 (LW D14)
  6. Gymnopédie for piano No. 1
  7. Nuages gris (Trübe Wolken), for piano, S. 199 (LW A305)
  8. Choses vues à droite et à gauche; sans lunettes (Things seen right-to-left; without glasses), for violin & piano
  9. La Lugubre gondola I, for piano, S. 200/1 (LW A319a)
  10. Resignazione (Ergebung), for organ (or piano), S. 263/187a (LW E28)
  11. Embarquement pour Cythère, for violin & piano (completed by Robert Orledge)
  12. Unstern! Sinistre, disastro, for piano, S. 208 (LW A312)
  13. Gymnopédie for piano No. 2
  14. R.W.-Venezia, for piano, S. 201 (LW A320)
  15. Romance oubliée, for viola (or violin, or cello) & piano, S. 132 (LW D16)
  16. Gymnopédie for piano No. 3
  17. Wiegenlied (Chant du berceau), for piano, S. 198 (LW A303)
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The maximalist Franz Liszt and the almost minimalist Erik Satie might seem a preposterous album pairing, but violinist Andreas Seidel and pianist Steffen Schleiermacher -- really, it is Schleiermacher whose project this seems to be, although he gets second billing -- make a strong case for its relevance. The key is that it is the mysterious late works of Liszt that are featured. Between Liszt's works of the early 1880s and the famous Gymnopédies of Satie is a period of just seven or eight years, and, more importantly, a ...

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