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François Couperin: Leçons de Ténèbres, Paris, 1714 - Caroline Mutel (dessus); Hager Hanana (cello); Karine Deshayes (dessus); Kazuya Gunji (organ);...
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  1. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
  2. Pavane for harpsichord in F sharp minor (Pièces de clavecin, No. 120)
  3. Suite 2, for viola da gamba & continuo (Pièces de viole): Pompe funèbre
  4. Les Carillons de Paris, for organ (Pièces d'orgue, No. 140)
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François Couperin's Leçons de ténèbres of 1714 were all written for the Wednesday-evening Tenebrae ("shadows," or light-dimming) service during Holy Week. Settings of these texts, with their mysterious melismas on the opening syllable, are not abundant during the Baroque era, and Couperin's version, for two singers and continuo, is a marvelous example, combining the ornate French style of the High Baroque with the older, gnomic spiritual atmospherics of the Tenebrae lessons. Couperin never wrote anything else quite like ...

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