It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules ...
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It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet "to say one thing and mean another." Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers "assumed by the poet to have a special access to the poet's process of thought." This access presupposed similarities of "education, social position, and sympathetic understanding." Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.
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Add this copy of Figures of Thought in Roman Poetry to cart. $5.42, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 1980 by Yale University Press.
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HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Add this copy of Figures of Thought in Roman Poetry to cart. $10.00, very good condition, Sold by Michener & Rutledge Bookseller rated 5.0 out of 5 stars, ships from Baldwin City, KS, UNITED STATES, published 1980 by Yale University Press.
Add this copy of Figures of Thought in Roman Poetry to cart. $10.00, very good condition, Sold by Windows Booksellers rated 4.0 out of 5 stars, ships from Eugene, OR, UNITED STATES, published 1980 by Yale University Press.
Add this copy of Figures of Thought in Roman Poetry to cart. $15.00, very good condition, Sold by J. Hood, Booksellers, Inc. rated 5.0 out of 5 stars, ships from Baldwin City, KS, UNITED STATES, published 1980 by Yale University Press.
Add this copy of Figures of Thought in Roman Poetry to cart. $18.00, good condition, Sold by Ancient World Books rated 5.0 out of 5 stars, ships from Toronto, ON, CANADA, published 1980 by Yale University Press.
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Good+ in Good dust jacket. 0300024568. Scholar's bookplate to inner cover (Robert Brown). Hard bump to lower edge of front board. Tiny sticker damage to ffep. Else book is VG. DJ has chipping and tears. DJ is somewhat tatty and a bit soiled to rear panel.; 312 pages; It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet "to say one thing and mean another." Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers "assumed by the poet to have a special access to the poet's process of thought." This access presupposed similarities of "education, social position, and sympathetic understanding." Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.
Add this copy of Figures of Thought in Roman Poetry to cart. $25.00, very good condition, Sold by Between the Covers-Rare Books rated 5.0 out of 5 stars, ships from Gloucester City, NJ, UNITED STATES, published 1980 by Yale University Press.
Rhydcymerau, Llandeilo,
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UNITED KINGDOM
$29.00
$37.00
Add this copy of Figures of Thought in Roman Poetry to cart. $29.00, good condition, Sold by Gareth Roberts rated 5.0 out of 5 stars, ships from Rhydcymerau, Llandeilo, CARMARTHESHIRE, UNITED KINGDOM, published 1980 by Yale University Press.
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Reader copy. Ex library hardback with DJ; usual stamps/markings. Apart from some very minor highlighting in good clean condition throughout. Ready for immediate despatch from UK. 42F*
Add this copy of Figures of Thought in Roman Poetry to cart. $32.00, very good condition, Sold by T A Borden Books rated 4.0 out of 5 stars, ships from Olney, MD, UNITED STATES, published 1980 by Yale University Press.
Add this copy of Figures of Thought in Roman Poetry to cart. $32.37, good condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1980 by Yale University Press.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 750grams, ISBN: 0300024568.
Add this copy of Figures of Thought in Roman Poetry to cart. $33.00, very good condition, Sold by Ancient World Books rated 5.0 out of 5 stars, ships from Toronto, ON, CANADA, published 1980 by Yale University Press.
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Very Good in Very Good dust jacket. 0300024568. Gift inscription from author to G. P. And Philippa Goold on ffep. Foxing/dustsoiling to top of textblock. DJ has minor edgewear. DJ spine a bit sunned.; 312 pages; It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet "to say one thing and mean another." Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers "assumed by the poet to have a special access to the poet's process of thought." This access presupposed similarities of "education, social position, and sympathetic understanding." Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.; Signed by Author.
