The early modern period is defined, in part, by the emergence of the artist as a distinctive kind of human subject. This volume is concerned with images and discourses of the artist in the Netherlands from the late 15th century to the mid 17th century, when the relationship between a community of craftsmen and elite individuals, between consciousness of a native tradition and membership of international humanist society, between image and word, between hand, mind and spirit, were being actively defined. Discussions of ...
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The early modern period is defined, in part, by the emergence of the artist as a distinctive kind of human subject. This volume is concerned with images and discourses of the artist in the Netherlands from the late 15th century to the mid 17th century, when the relationship between a community of craftsmen and elite individuals, between consciousness of a native tradition and membership of international humanist society, between image and word, between hand, mind and spirit, were being actively defined. Discussions of architects, painter-poets and copyists critically engage with the Netherlandish artist's identification with oil painting, which became ever-closer during this period. Contributions in which self-portraits, images of the studio and art literature are related to the practices, behaviour and economic lives of a range of practitioners, provide new insights into the artist not only as a producer but a figure produced by his work.
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Add this copy of Envisioning the Artist: in the Early Modern Netherlands to cart. $5.56, like new condition, Sold by Books From California rated 4.0 out of 5 stars, ships from Simi Valley, CA, UNITED STATES, published 2010 by BRILL.
Add this copy of Envisioning the Artist: in the Early Modern Netherlands to cart. $7.88, new condition, Sold by Books From California rated 4.0 out of 5 stars, ships from Simi Valley, CA, UNITED STATES, published 2010 by BRILL.
Add this copy of Envisioning the Artist in the Early Modern Netherlands: to cart. $31.25, new condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2010 by Waanders BV, Uitgeverij.
Add this copy of Envisioning the Artist in the Early Modern Netherlands to cart. $55.00, very good condition, Sold by David's Books rated 4.0 out of 5 stars, ships from ypsilanti, MI, UNITED STATES, published 2010 by BRILL.
Add this copy of Envisioning the Artist in the Early Modern Netherlands. to cart. $82.00, like new condition, Sold by art longwood books rated 4.0 out of 5 stars, ships from Gloucester, MA, UNITED STATES, published 2010 by Waanders Publishers.
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Seller's Description:
Fine in Fine jacket. 4to-over 9¾"-12" tall. Cloth, hard cover in dust jacket., no flaws or wear. clean. no markings. tight binding. appears unused.; 344pp., b/w illustrations throughout. 13 essays/articles by various contributors including the introduction. one essay is in german with a brief abstract in english. all the rest are in english. geertgen, master of frankfurt, heemskerck, de heere, rubens, van eyck, ketel, among other artists are subjects.
Add this copy of Envisioning the Artist to cart. $99.77, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2010 by Waanders BV, Uitgeverij.
Add this copy of Envisioning the Artist in the Early Modern Netherlands to cart. $2,470.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2010 by Waanders Uitgevers.
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New. 9040076839. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--344 pages; 150 black and white illustrations. Description: "The early modern period is defined, in part, by the emergence of the artist as a distinctive kind of human subject. This volume is concerned with images and discourses of the artist in the Netherlands from the late 15th century to the mid 17th century, when the relationship between a community of craftsmen and elite individuals, between consciousness of a native tradition and membership of international humanist society, between image and word, between hand, mind and spirit, were being actively negotiated. Discussions of architects, painter-poets and copyists critically engage with the Netherlandish artist's identification with oil painting, which became ever-closer during this period. Contributions in which self-portraits, images of the studio and art literature are related to the practices, behaviour and economic lives of a range of practitioners, provide new insights into the artist not only as a producer but a figure produced by his work."--with a bonus offer--
