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Emanations (1996) ()

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A constant surface of extremely slowing changing tones from selected (via equalizer) feedback employing a room's natural resonance nodes (eigentones) is the substance of this meta-listening composition. The piece was originally intended to be the sound for an installation of Claire Giovanniello's white paintings wrapped in gauze and "elegant sculptural works consisting of nails and thin aluminum rods driven into the gallery walls in precise geometric patterns" (Peters). The CD itself is very white, and its liner notes are ...

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