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  1. Ordo Virtutum, liturgical drama: Prologue
  2. Electric Ordo Virtutum: Act 1, for vocal ensemble & electronics (after Hildegard of Bingen)
  3. Electric Ordo Virtutum: Act 2, for vocal ensemble & electronics (after Hildegard of Bingen)
  4. Electric Ordo Virtutum: Act 3, for vocal ensemble, violin & electronics (after Hildegard of Bingen)
  5. Electric Ordo Virtutum: Act 4, for vocal ensemble & electronics (after Hildegard of Bingen)
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  1. Ordo Virtutum, liturgical drama: Prologue
  2. Electric Ordo Virtutum: Act 1, for vocal ensemble & electronics (after Hildegard of Bingen)
  3. Electric Ordo Virtutum: Act 2, for vocal ensemble & electronics (after Hildegard of Bingen)
  4. Electric Ordo Virtutum: Act 3, for vocal ensemble, violin & electronics (after Hildegard of Bingen)
  5. Electric Ordo Virtutum: Act 4, for vocal ensemble & electronics (after Hildegard of Bingen)
  6. Ordo Virtutum, liturgical drama: Processional
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There are some that confuse the medieval morality play, or, if you prefer, liturgical drama with opera. While morality plays are essentially dramas with music and some even feature specific characters, they are not organized in the forms of arias, duets, choruses, recitative, and so forth that characterize opera. German abbess, poet, and composer Hildegard von Bingen's Ordo Virtutum, written circa 1151, is just about the oldest morality play there is, unless the Anonymous French play Le jeu d'Adam is older and it appears to ...

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