Egyptologists and forgers have been battling for over a century: the connoisseur's eye vs. the ingenuity of the "artists" and their impressive creations, some considered authentic for decades before being withdrawn from major collections. A market for Egyptian artifacts has existed since the Phoenicians, but it gathered strength through the nineteenth century when museums sprung up, archaeological digs revealed ever-greater treasures, and tourism flourished, bringing numerous collectors in their wake. Jean-Jacques Fiechter ...
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Egyptologists and forgers have been battling for over a century: the connoisseur's eye vs. the ingenuity of the "artists" and their impressive creations, some considered authentic for decades before being withdrawn from major collections. A market for Egyptian artifacts has existed since the Phoenicians, but it gathered strength through the nineteenth century when museums sprung up, archaeological digs revealed ever-greater treasures, and tourism flourished, bringing numerous collectors in their wake. Jean-Jacques Fiechter introduces us to a series of colorful individuals and illicit deals set against a backdrop of golden sands and sinister backrooms. He retells the stories of "masterpieces" that found their way into the collections of the Louvre, Metropolitan Museum, and British Museum--and discusses how forgers plied their trade, while also retracing the pioneering inquiries led by the first "fake-busters."
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Add this copy of Egyptian Fakes: Masterpieces That Duped the Art World to cart. $6.55, fair condition, Sold by KuleliBooks rated 5.0 out of 5 stars, ships from Phoenix, AZ, UNITED STATES, published 2009 by Flammarion-Pere Castor.
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