Qian's sinuous readings of the three modernists' last books of verse--Williams's Pictures from Brueghel (1962), Moore's Tell Me, Tell Me (1966), and Pound's Drafts and Fragments of Cantos CX-CXVII (1969)--expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.
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Qian's sinuous readings of the three modernists' last books of verse--Williams's Pictures from Brueghel (1962), Moore's Tell Me, Tell Me (1966), and Pound's Drafts and Fragments of Cantos CX-CXVII (1969)--expand our understanding of late modernism by bringing into focus its heightened attention to meaning in space, its obsession with imaginative sensibility, and its increased respect for harmony between humanity and nature.
Read Less