Having already worked with Pieter Bourke on The Mirror Pool, Lisa Gerrard created her second album, Duality, with him as a full partner. It's literally just the two of them, recorded at a home studio in Australia. Bourke's work in Eden -- which had often been tagged with a Dead Can Dance wannabe brush -- actually meant that he knew more than most where Gerrard was coming from with her all-encompassing vision of music from different locales and times. Compared to the often overwhelming feeling of The Mirror Pool, Duality is ...
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Having already worked with Pieter Bourke on The Mirror Pool, Lisa Gerrard created her second album, Duality, with him as a full partner. It's literally just the two of them, recorded at a home studio in Australia. Bourke's work in Eden -- which had often been tagged with a Dead Can Dance wannabe brush -- actually meant that he knew more than most where Gerrard was coming from with her all-encompassing vision of music from different locales and times. Compared to the often overwhelming feeling of The Mirror Pool, Duality is no less mysterious and captivating, but still maintains a more intimate, close atmosphere. The echoing depths that characterize Gerrard's work again appear, as much a tribute to excellent production as it is an artistic choice, and there are wondrous parts with haunting string arrangements, but there are no huge, heavenly orchestras or the like dominating this time out. Meanwhile, the mysterious folk/dance side of Gerrard's work remains intact, percussive instruments of all sorts to the fore, blending Arabic, Mediterranean, South Asian, and other styles into a mystic whole, as on tracks like "Shadow Magnet" and "Nadir (Synchronicity)." Where there are rhythmless tracks, such as "The Unfolding" and the minimal beauty of "The Circulation of Shadows," the scale is less dominating, more directly connecting. As always, Gerrard's voice is simply breathtaking, the vaunted and well-earned reputation for her singing range completely intact. Perhaps most surprising is when she sings in clear, straightforward English on "The Human Game," compared to her usual glossolalia when singing her own lyrics; in context, it's a fascinating switch. Bourke's own contributions -- it's not immediately clear if those include vocals, given Gerrard's own abilities in both high and low registers -- mesh excellently with her instrumental work and, since no specific credit appears instrument for instrument, everything works as a true partnership. ~ Ned Raggett, Rovi
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Add this copy of Duality to cart. $3.39, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1998 by Warner Bros..
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Good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Duality to cart. $3.39, fair condition, Sold by Goodwill rated 5.0 out of 5 stars, ships from Brooklyn Park, MN, UNITED STATES, published 1998 by Warner Bros..
Add this copy of Duality to cart. $3.39, very good condition, Sold by Half Price Books Inc rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1998 by 4AD.
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Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Duality to cart. $8.59, very good condition, Sold by Salzer's Records rated 5.0 out of 5 stars, ships from ventura, CA, UNITED STATES, published 1998 by 4AD.
Add this copy of Duality to cart. $8.99, good condition, Sold by Prime Goods Outlet rated 4.0 out of 5 stars, ships from Troy, OH, UNITED STATES, published 1998 by Warner Bros..
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