Hart does a 180 after the husky, power trio/space/R&B/rock of 2000's Start With the Soul by spinning out a dozen blues covers in a solo acoustic setting. On his fourth album (for his fourth label), the contemporary bluesman sounds inspired and refreshed as he accompanies himself on acoustic six-string guitar, banjo, and mandolin. The production is from Memphis cult hero Jim Dickinson, who doesn't have a chance to do much other than provide inspiration in this sparse setting. Hart runs down fairly obscure tunes from Son ...
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Hart does a 180 after the husky, power trio/space/R&B/rock of 2000's Start With the Soul by spinning out a dozen blues covers in a solo acoustic setting. On his fourth album (for his fourth label), the contemporary bluesman sounds inspired and refreshed as he accompanies himself on acoustic six-string guitar, banjo, and mandolin. The production is from Memphis cult hero Jim Dickinson, who doesn't have a chance to do much other than provide inspiration in this sparse setting. Hart runs down fairly obscure tunes from Son House, Charley Patton, Leadbelly, Skip James, and Sleepy John Estes, infusing them with a jolt of energy while staying true to their original versions and invigorating them with inspired interpretations. Hart's voice is magnificent throughout -- yowling, moaning, doleful, yet proud as he pays tribute to the Delta and country blues masters. Even the well-worn traditional "Motherless Child" sounds fresh in this context. Eschewing the diverse -- some claim overly diverse -- approach of his previous few releases, Hart sticks to basics here. He keeps the tone spare, naked, and dry, which best fits the somber mood, especially on his high-lonesome banjo interpretation of Odetta's "Chilly Winds." Recorded in just three days, this return to the artist's country blues roots is at turns harrowing, haunting, and uplifting, just like the originals. Those who found the Thin Lizzy-edged rock attack of his last release too far removed from Hart's earlier rootsy approach will rejoice in this unvarnished, stripped-down, deep blues release. ~ Hal Horowitz, Rovi
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Add this copy of I Still Get Dressed on Sundays to cart. $6.99, very good condition, Sold by Spin On This rated 5.0 out of 5 stars, ships from Woodland Hills, CA, UNITED STATES, published 2003 by 823862000526; Memphis Int'l.
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VG+/VG+ STILL SEALED with small drill hole into barcode. Founding member of Manhattan Transfer makes a wonderful come-back western swing album. MerLess Records 823862000526.
Add this copy of Down in the Alley to cart. $6.99, very good condition, Sold by HPB Inc. rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2002 by Memphis Int'l.
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Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Down in the Alley to cart. $8.20, very good condition, Sold by Salzer's Records rated 5.0 out of 5 stars, ships from ventura, CA, UNITED STATES, published 2002 by Memphis Int'l.
Add this copy of I Still Get Dressed on Sundays to cart. $19.82, new condition, Sold by EB-Books LLC rated 3.0 out of 5 stars, ships from Rockford, IL, UNITED STATES, published 2002 by Merless Records.
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