This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as ...
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This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.
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Add this copy of Discourses of Vision in Nineteenth-Century Britain: to cart. $40.00, like new condition, Sold by Autumn Leaves rated 4.0 out of 5 stars, ships from Allentown, PA, UNITED STATES, published 2018 by Palgrave MacMillan.
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Fine with No dust jacket as issued. 3319897365. A pristine copy, with no signs of prior use. This copy is marked "custom copy: not for resale". However, this does not pertain to the secondary market (used books). Fast shipping, with tracking number provided.; Palgrave Studies In Nineteenth-Century Writing And Culture; 5.83 X 0.69 X 8.27 inches; 279 pages.
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