This volume analyses theatre openings in exemplary case studies through history. Prologues and preludes have oftenly been written by prominent authors such as Goethe, Schiller and Hofmannsthal. They not only present the architecture of the stage, the art of its actors and the demands of the spectators, but also reflect the role of theatre in the public sphere in a general way.
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This volume analyses theatre openings in exemplary case studies through history. Prologues and preludes have oftenly been written by prominent authors such as Goethe, Schiller and Hofmannsthal. They not only present the architecture of the stage, the art of its actors and the demands of the spectators, but also reflect the role of theatre in the public sphere in a general way.
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