This text is both a philosophical inquiry into the nature of depiction and a critical study of particular artists - Donatello, Rembrandt, Chardin and Hogarth. Michael Podro examines how the materials and procedure of the painter or sculptor are absorbed into imagining the subject. This interplay between medium and subject is crucial for the work's expressiveness and to the viewer's involvement. Abstract art in the early 20th century, Podro argues, has a closely related structure. The notion of the surface plane is explored ...
Read More
This text is both a philosophical inquiry into the nature of depiction and a critical study of particular artists - Donatello, Rembrandt, Chardin and Hogarth. Michael Podro examines how the materials and procedure of the painter or sculptor are absorbed into imagining the subject. This interplay between medium and subject is crucial for the work's expressiveness and to the viewer's involvement. Abstract art in the early 20th century, Podro argues, has a closely related structure. The notion of the surface plane is explored by examining Donatello's relief sculpture and the viewer's orientation by reference to Rembrandt. He explains that Rembrandt's way of disallowing a dominant plane provides multiple orientations - different paths of access - to the subject, including different ways in which the viewer interacts with depicted figures. He then shows how, in the case of portrayal, the role of sitter, artist and viewer interconnect and, in the case of the self-portrait, converge.
Read Less
Add this copy of Depiction to cart. $10.11, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 1998 by Yale University Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Add this copy of Depiction to cart. $22.50, like new condition, Sold by Hennessey + Ingalls rated 5.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 1998 by Yale University Press.
Add this copy of Depiction to cart. $23.00, very good condition, Sold by Library Market rated 5.0 out of 5 stars, ships from Waynesville, OH, UNITED STATES, published 1998 by Yale University Press.
Add this copy of Depiction to cart. $36.75, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 1998 by Yale University Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
VG/VG. Deep purple cloth boards with gilt spine lettering, color illustrated dust jacket with black lettering, color frontispiece, viii, 193 pp, profusely illustrated in color and bw. Contents include: Sustaining recognition--Donatello and the planes of relief--Orientation in Rembrandt--Portrayal: performance, role and subject--Hogarth's Analysis and its application--Apropos Chardin. Includes bibliographical references (pages 180-189) and index.
Add this copy of Depiction to cart. $44.66, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Hialeah, FL, UNITED STATES, published 1998 by Yale University Press.
Add this copy of Depiction to cart. $58.00, new condition, Sold by Basement Seller 101 rated 5.0 out of 5 stars, ships from Cincinnati, OH, UNITED STATES, published 1998 by Yale University Press.
Add this copy of The Peacock Room to cart. $67.00, very good condition, Sold by Rob & June Edwards rated 4.0 out of 5 stars, ships from Salem, OR, UNITED STATES, published 1998 by Freer Gallery of Art.
Add this copy of Depiction to cart. $77.11, new condition, Sold by GridFreed rated 5.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 1998 by Yale University Press.