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Deems Taylor: Through the Looking Glass; Charles Griffes: Poem; The Pleasure Dome of Kubla Khan - Bernard Shapiro (oboe); Christopher Sereque (clarinet); David Taylor (contrabassoon); Glen Danielson (horn);...
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Track Listing
  1. Through the Looking Glass, for orchestra, Nos 1-5, complete
  2. Poem, for flute & orchestra, A. 93
  3. The White Peacock, for orchestra (Roman Sketches No. 1), Op. 7/1, A. 121
  4. The Pleasure-Dome of Kubla Khan, tone poem for orchestra, Op. 8, A. 91
  5. Tone-Pictures (3), arranged for flute, oboe, clarinet, bassoon, horn, 2 violins, viola, cello, double bass & piano, A. 111-113
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  1. Through the Looking Glass, for orchestra, Nos 1-5, complete
  2. Poem, for flute & orchestra, A. 93
  3. The White Peacock, for orchestra (Roman Sketches No. 1), Op. 7/1, A. 121
  4. The Pleasure-Dome of Kubla Khan, tone poem for orchestra, Op. 8, A. 91
  5. Tone-Pictures (3), arranged for flute, oboe, clarinet, bassoon, horn, 2 violins, viola, cello, double bass & piano, A. 111-113
  6. Bacchanale, for orchestra (arrangement of "Scherzo", Op. 6/3, A. 73), A. 123
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This album of phantasmagoria by Deems Taylor and Charles Tomlinson Griffes may not trigger a serious revival for either composer's music, but it provides a representative sampling of early 20th century American music that is frequently overlooked. Of the two figures, Griffes is the best known, primarily for the Poem for flute and orchestra, The White Peacock, and The Pleasure Dome of Kubla Khan, three brilliant character pieces that are performed fairly often and used as examples of imaginative orchestration. Griffes' ...

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