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Debussy: Images; Prélude à l'après-midi d'un faune ()

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  1. Gigues, for orchestra, CD 118/1 (L. 122/1)
  2. Ibéria, for orchestra, CD 118/2 (L. 122/2)
  3. Rondes du printemps, for orchestra, CD 118/3 (L. 122/3)
  4. Et la lune descend sur le temple qui fût, for piano, CD 120/2 (L. 111/2)
  5. La plus que lente, waltz for piano (or orchestra), CD 128 (L. 121)
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  1. Gigues, for orchestra, CD 118/1 (L. 122/1)
  2. Ibéria, for orchestra, CD 118/2 (L. 122/2)
  3. Rondes du printemps, for orchestra, CD 118/3 (L. 122/3)
  4. Et la lune descend sur le temple qui fût, for piano, CD 120/2 (L. 111/2)
  5. La plus que lente, waltz for piano (or orchestra), CD 128 (L. 121)
  6. Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, CD 87 (L. 86)
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The Hallé, as this British orchestra is known these days, has a long history with Debussy and might be said to have great institutional knowledge of his music. Conductor Mark Elder has continued this tradition and has issued a series of Debussy recordings that have yielded new details even in familiar orchestral works. The world may not have been clamoring for a new reading of Prélude à l'après d'un faune, but the reading here is fresh and compelling, with a seductive flute line at the beginning bringing a hint of the East, ...

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