This book explores the interconnections of Dante's Divine Comedy and four modern painters: Nattini, Rauschenberg, Dalmodern painters: Nattini, Rauschenberg, Dal???, and Phillipps. It argues for Dante's painterly vision, and in this context establishes the medieval poet as a pre-Renaissance presence, pointing to his Classical, naturalistic manner of seeing, among other things, the human figure. His optic, Barricelli maintains, is so forceful that it has imposed its anatomical realism on most illustrators from the ...
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This book explores the interconnections of Dante's Divine Comedy and four modern painters: Nattini, Rauschenberg, Dalmodern painters: Nattini, Rauschenberg, Dal???, and Phillipps. It argues for Dante's painterly vision, and in this context establishes the medieval poet as a pre-Renaissance presence, pointing to his Classical, naturalistic manner of seeing, among other things, the human figure. His optic, Barricelli maintains, is so forceful that it has imposed its anatomical realism on most illustrators from the Renaissance (epitomized by Michelangelo) down to the present. The premise holds through the poetic realism of Nattini, the socio-political expressionism of Rauschenberg, the psychological surrealism and devout religiosity of Dal???, and the pictorial figurative and non-figurative art of Phillipps.
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Add this copy of Dante's Vision and the Artist: Four Modern Illustrators to cart. $116.72, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1993 by Peter Lang Inc., International.
Edition:
1993, Peter Lang Inc., International Academic Publishers