Corey Harris takes a decidedly anthropological and academic approach to the blues, deeply researching its variants and origins, even making several trips to Africa to trace out its DNA (resulting in the marvelous Mississippi to Mali), but even as Harris thinks and connects dots like a scholar, when he gets down to playing the songs, he's all musician, and that leads him to create some wonderful hybrids. One would expect Harris to build further on the Mali connection for this album, but Daily Bread surprises by sounding more ...
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Corey Harris takes a decidedly anthropological and academic approach to the blues, deeply researching its variants and origins, even making several trips to Africa to trace out its DNA (resulting in the marvelous Mississippi to Mali), but even as Harris thinks and connects dots like a scholar, when he gets down to playing the songs, he's all musician, and that leads him to create some wonderful hybrids. One would expect Harris to build further on the Mali connection for this album, but Daily Bread surprises by sounding more Jamaican than anything else, and even includes striking covers of John Holt's "I See Your Face" and Sylford Walker's "Lamb's Bread," which merge the reggae rhythms of the originals with a sort of blues sensibility, while the political "The Bush Is Burning" is nothing less than full-blown ska. There are two tracks here ("Mami Wata" and "The Peach") featuring guitarist, trumpeter, and vocalist Olu Dara that do build on the African dimension, with "The Peach" -- a ten-minute-long Griot creation rap -- in particular becoming a kind of perfect blend of Africa and Delta, but the rhythmic synthesis is so complete on Daily Bread that everything meshes together like pieces from the same bright quilt. Perhaps the most amazing thing about this album is how ultimately American it sounds (no doubt thanks to the presence of New Orleans pianist Henry Butler on several cuts) in spite of its Caribbean and African lilt, a testament to how well Harris pulls all these different international strands together without losing sight of where his musical journey began. Given his penchant for researching origins and sources, one would expect Harris to have a preservationist approach to the blues, but he's really more interested in the dynamic possibilities of the genre, and he does this on Daily Bread by looking to Africa and the Caribbean, with the end result being a wonderfully varied and yet unified album that preserves the blues by gracefully expanding the genre's possibilities. ~ Steve Leggett, Rovi
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Add this copy of Daily Bread to cart. $2.77, good condition, Sold by The Yard Sale Store rated 5.0 out of 5 stars, ships from Narrowsburg, NY, UNITED STATES, published 2005 by Universal Classics & Jazz.
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Good in good packaging. Originally released: 2005. MUSIC CD with original printed insert withdrawn from the library collection. Some library markings. Some shelf wear to the case. We will polish the CD for a smooth listening experience. Ships in a cloth, drawstring bag. Enjoy this reliable Music CD performance.
Add this copy of Daily Bread to cart. $4.99, fair condition, Sold by Service First Media rated 4.0 out of 5 stars, ships from Taylorsville, KY, UNITED STATES, published 2005 by Universal Classics & Jazz.
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Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
Add this copy of Daily Bread to cart. $5.25, like new condition, Sold by Streetlight_Records rated 5.0 out of 5 stars, ships from Santa Cruz, CA, UNITED STATES, published 2005 by Rounder.
Add this copy of Daily Bread to cart. $5.84, very good condition, Sold by HPB-Emerald rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2005 by Rounder.
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