Curtis's Botanical Magazine, or Flower-Garden Displayed, 1817, Vol. 44: In Which the Most Ornamental Foreign Plants, Cultivated in the Open Ground, the Green-House, and the Stove, Are Accurately Represented in Their Natural Colours (Classic Reprint)
Curtis's Botanical Magazine, or Flower-Garden Displayed, 1817, Vol. 44: In Which the Most Ornamental Foreign Plants, Cultivated in the Open Ground, the Green-House, and the Stove, Are Accurately Represented in Their Natural Colours (Classic Reprint)
Excerpt from Curtis's Botanical Magazine, or Flower-Garden Displayed, 1817, Vol. 44: In Which the Most Ornamental Foreign Plants, Cultivated in the Open Ground, the Green-House, and the Stove, Are Accurately Represented in Their Natural Colours That our plant is the same as that described and figured by J worms, in his Observations, above quoted, we see no reason to doubt; at the same time, the figure of S'rscnv'raa phi-sta dichotoma, in the Flora Peruviana, hardly differs in any other respect than the greater hairiness of ...
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Excerpt from Curtis's Botanical Magazine, or Flower-Garden Displayed, 1817, Vol. 44: In Which the Most Ornamental Foreign Plants, Cultivated in the Open Ground, the Green-House, and the Stove, Are Accurately Represented in Their Natural Colours That our plant is the same as that described and figured by J worms, in his Observations, above quoted, we see no reason to doubt; at the same time, the figure of S'rscnv'raa phi-sta dichotoma, in the Flora Peruviana, hardly differs in any other respect than the greater hairiness of the stem and branches. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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