For most listeners, the world of Viennese light music begins with the Strauss family and perhaps a few one-hit wonders otherwise. However, the waltz, polka, march, galop, and so on, were the popular music currency of the day, across a vast empire with millions of inhabitants. The music of Vienna, which was really a mixture of music from across the Austro-Hungarian Empire and beyond, included dozens or hundreds of composers, many of whom were very prolific; several works here have opus numbers in the hundreds. The works on ...
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For most listeners, the world of Viennese light music begins with the Strauss family and perhaps a few one-hit wonders otherwise. However, the waltz, polka, march, galop, and so on, were the popular music currency of the day, across a vast empire with millions of inhabitants. The music of Vienna, which was really a mixture of music from across the Austro-Hungarian Empire and beyond, included dozens or hundreds of composers, many of whom were very prolific; several works here have opus numbers in the hundreds. The works on this recording were written between the 1890s and the late 1920s, and if there isn't another Johann Strauss II, there are plenty of imaginative and engaging treatments. Sample Die Wachtparade kommt, Op. 78, by the all-but-unknown Richard Eilenberg, which, like the Fourth of July section of Charles Ives' Holidays Symphony, puts the listener in the place of a parade watcher who is hearing marching bands approach. Along the way, you will get to know such composers as Siegfried...
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Add this copy of Contemporaries of Strauss 4 to cart. $15.53, new condition, Sold by Music Fiendz rated 5.0 out of 5 stars, ships from South Hackensack, NJ, UNITED STATES, published 2019 by Marco Polo.