The 1920s witnessed an extraordinary flowering of literary and artistic creativity among African Americans. Critics hailed the emergence of a "New Negro," who took pride in the black race and its African heritage, and whose writings exposed and attacked discrimination, explored black folk culture, and strove to create a unique African-American literature. Yet for all its vitality, the cultural movement best known as the Harlem Renaissance was fraught with tensions: between the ideal of Africa and the reality of America; ...
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The 1920s witnessed an extraordinary flowering of literary and artistic creativity among African Americans. Critics hailed the emergence of a "New Negro," who took pride in the black race and its African heritage, and whose writings exposed and attacked discrimination, explored black folk culture, and strove to create a unique African-American literature. Yet for all its vitality, the cultural movement best known as the Harlem Renaissance was fraught with tensions: between the ideal of Africa and the reality of America; between the lure of a romanticized rural past and the demands of an alien urban present; between the need to affirm the uniqueness of black culture and the desire to achieve acceptance by the majority white culture. Perhaps more than any other Harlem Renaissance figure, Claude McKay embodied these contradictory impulses. The paradox of Claude McKay cannot be reduced to any simple formula. He was at once an enfant terrible who took pride in the Negro's cultural heritage and an intellectual who strove for acceptance in predominantly white circles. He was a radical intent on transforming his adopted county who nevertheless left the United States temporarily for the Soviet Union. Yet these tensions, as this book strives to show, cannot simply be ascribed to personal or psychological problems; ultimately, they were rooted in the ambiguous social and cultural position of the black artist and political radical of the early twentieth century.
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Add this copy of Claude McKay: a Black Poet's Struggle for Identity to cart. $6.53, fair condition, Sold by ThriftBooks-Dallas rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1992 by University of Massachusetts Press.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Add this copy of Claude McKay: a Black Poet's Struggle for Identity to cart. $8.04, very good condition, Sold by Bookmarc's rated 5.0 out of 5 stars, ships from La Porte, TX, UNITED STATES, published 1994 by University of Massachusetts Press.
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Very Good. No Jacket as Issued. V6-Light rubbing from shelfwear on top/bottom of spine & corners. Tillery provides evenhanded psychological insights into the poet's life while examining the larger problems that confronted most black intellectuals during the 1920s and 1930s. Tillery's work is an honest look at both interracial relationships. His effort looms as definitive and attempts to make sense of the 'ambigous social and cultural position.
Add this copy of Claude McKay a Black Poet's Struggle for Identity to cart. $10.00, good condition, Sold by Princeton Antiques Bookservice rated 4.0 out of 5 stars, ships from Atlantic City, NJ, UNITED STATES, published 1992 by UNIVERSITY OF MICHIGAN.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Near Fine in Near Fine dust jacket. 0870237624. Large 8vo 9"-10" tall; 235 pages; 1992 University of Massachusetts Press. HC/DJ. 1st printing. Bright tight and fresh in immaculate dust jacket. Feels and appears unread and about as new. No marks. NF/NF.
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