Why is classical music predominantly the preserve of the white middle classes? Through a richly detailed ethnography, this book contributes to this ongoing debate with a timely and provocative intervention, locating classical music within one of the cultures that produces it - middle-class English youth - and foregrounds classical music as bodily practice of control and restraint.
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Why is classical music predominantly the preserve of the white middle classes? Through a richly detailed ethnography, this book contributes to this ongoing debate with a timely and provocative intervention, locating classical music within one of the cultures that produces it - middle-class English youth - and foregrounds classical music as bodily practice of control and restraint.
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