This important study -- published in conjunction with the Whitechapel's acclaimed exhibition -- is the first comprehensive survey of filmmaker Chris Marker's influential oeuvre, surveying the entirety of his prolific career Illustrated throughout, the book charts Marker's unique commentaries on societies at times of upheaval, from his early writing and photography to his later use of CD-ROM and appropriation of web technology. Integrating his films within the display, it also brings together for the first time all of ...
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This important study -- published in conjunction with the Whitechapel's acclaimed exhibition -- is the first comprehensive survey of filmmaker Chris Marker's influential oeuvre, surveying the entirety of his prolific career Illustrated throughout, the book charts Marker's unique commentaries on societies at times of upheaval, from his early writing and photography to his later use of CD-ROM and appropriation of web technology. Integrating his films within the display, it also brings together for the first time all of Marker's multimedia installations. Alongside a wealth of images that chart Marker's substantial creative output, Chris Marker: A Grin Without a Cat also explores the filmmaker's shift from word to image, the commissioning of his multimedia installations and the subsequent interplay of media. It includes key essays by the curators Christine van Assche, Chief Curator, Centre Pompidou, Paris, writer and film critic Chris Darke, and Whitechapel Gallery curators Magnus Af Petersens (Chief Curator) and Habda Rashid (Assistant Curator); texts by critics Raymond Bellour and Arnaud Lambert; plus the first English translations of two key early writings by Marker, an essay on Jean Cocteau's film Orph???e (1950) and his short story Till the End of Time (1947), which takes place the day after VJ day amidst a torrential rainstorm and features a demobilised soldier subject to apocalyptic visions, anticipating Marker's most famous film, La Jet???e (1962). Chris Marker (1921-2012), born Christian Fran???ois Bouche-Villeneuve in Paris, was a prescient multi-media filmmaker as well as a writer, editor, poet, cartoonist, and activist. Marker completed his first feature film Olympia 52 in 1952 and soon became affiliated with the Left Bank Cinema movement that included filmmakers such as Alain Resnais and Agn???s Varda. In 1962 he made his best-known film, La Jet???e , which won him an international audience. A great lover of cats, when asked for a photograph of himself he would send a picture of a cat.
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Add this copy of Chris Marker: a Grin Without a Cat (Whitechapel Art to cart. $17.00, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2014 by Whitechapel Gallery.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized. PAPERBACK.
Add this copy of Chris Marker: a Grin Without a Cat (Whitechapel Art to cart. $29.08, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2014 by Whitechapel Gallery.
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Fine. Trade paperback (US). Glued binding. 136 p. Whitechapel Art Gallery, London: Exhibition Catalogues. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Chris Marker: a Grin Without a Cat (Whitechapel Art to cart. $46.07, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2014 by Whitechapel Gallery.