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Chopin: Piano Works - Elisabeth Leonskaja (piano)
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  1. Nocturne for piano No. 14 in F sharp minor, Op. 48/2, CT. 121
  2. Scherzo for piano No. 1 in B minor, Op. 20, CT. 197
  3. Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112
  4. Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46
  5. Scherzo for piano No. 3 in C sharp minor, Op. 39, CT. 199
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  1. Nocturne for piano No. 14 in F sharp minor, Op. 48/2, CT. 121
  2. Scherzo for piano No. 1 in B minor, Op. 20, CT. 197
  3. Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112
  4. Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46
  5. Scherzo for piano No. 3 in C sharp minor, Op. 39, CT. 199
  6. Nocturne for piano No. 13 in C minor, Op. 48/1, CT. 120
  7. Scherzo for piano No. 4 in E major, Op. 54, CT. 200
  8. Nocturne for piano in C sharp minor (doubtful), KK Anh.Ia/6
  9. Scherzo for piano No. 2 in B flat minor, Op. 31, CT. 198
  10. Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115
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There are as many ways to play Chopin as there are pianists, but there are certain schools of Chopin playing that have historically dominated the field. In this 2009 Musikproduktion Dabringhaus und Grimm disc, Elisabeth Leonskaja shows herself to be a representative of the Russian school of Chopin playing. In a program mixing the four Scherzos with five Nocturnes and the Fantaisie-Impromptu, the Russian pianist presents Chopin as a composer of Sturm und Drang Romanticism more suitable for the opera stage than the drawing ...

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