Calder. Sculpting Time explores the profound and transformative impact of one of the 20th century's most revolutionary artists through a focused lens. Alexander Calder (1898-1976) changed the way we perceive and interact with sculpture by introducing the fourth dimension of time into art with his legendary mobiles - a term coined by Marcel Duchamp that refers to both "motion" and "motive" in French - and by exploring volumes and voids in his stabiles, christened by Jean Arp for his stationary objects. This catalogue ...
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Calder. Sculpting Time explores the profound and transformative impact of one of the 20th century's most revolutionary artists through a focused lens. Alexander Calder (1898-1976) changed the way we perceive and interact with sculpture by introducing the fourth dimension of time into art with his legendary mobiles - a term coined by Marcel Duchamp that refers to both "motion" and "motive" in French - and by exploring volumes and voids in his stabiles, christened by Jean Arp for his stationary objects. This catalogue includes over 30 masterworks made between 1930 and 1960 - Calder's most innovative, prolific years - from his early abstractions or sph???riques to a magnificent selection of mobiles, stabiles, and standing mobiles of various scales. It also features a large body of Calder's Constellations, a term proposed by Duchamp and James Johnson Sweeney for the artist's beloved objects made from wood and wire in 1943, a time when sheet metal was in short supply due to World War II.
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New. A wide-ranging selection of works from Calder's most prolific period highlights the role of time in his groundbreaking sculptural practiceFrancisco Goya claimed in 1801 that 'time also paints. ' More than 200 years later, this quote, now turned maxim, could refer to the way in which time modifies how we relate to art. A more conceptual interpretation could also be held where time itself is the medium. Taken in this last interpretation, few artists have understood this notion better than Alexander Calder. Sculpting Time explores time as a medium in Calder's work: both as an integral part of his kinetic sculpture and as an external factor vis-à-vis the grand developments of the 20th century. This is best exemplified in his earliest sphériques as well as the Constellations (a term coined by Marcel Duchamp and James Johnson Sweeney in 1943) he created out of wood and wire during World War II, when sheet metal was not available. By introducing motion into a static art form, Calder implies the passage of time; thus, time also sculpts. This handsome clothbound volume, printed on Tatami paper, is filled with contemporary images of works from the 1930s to the 1970s, as well as archival photographs of Calder's studio. Alexander Calder (1898-1976) moved to Paris in the late 1920s, where he found himself at the center of the city's artistic avant-garde. In 1930, he invented the mobile--an abstract sculpture made of independent parts that incorporate natural or mechanical movement. He would continue to explore the possibilities of this visual language for the rest of his career, eventually shifting to monumental constructions and public works.
