Sir Hubert Parry was one of Britain's most creative and influential musicians, and a key architect of the English Musical Renaissance. This is a major reappraisal of Parry, both of his life and his vast legacy of compositions. Well known for three enduringly popular works-- Blest Pair of Sirens , I was Glad , and Jerusalem , almost an unofficial national anthem--Parry has long been presented as a paternal, establishment figure. Yet Parry's personality was infinitely more complex, as Jeremy Dibble makes clear. Drawing on a ...
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Sir Hubert Parry was one of Britain's most creative and influential musicians, and a key architect of the English Musical Renaissance. This is a major reappraisal of Parry, both of his life and his vast legacy of compositions. Well known for three enduringly popular works-- Blest Pair of Sirens , I was Glad , and Jerusalem , almost an unofficial national anthem--Parry has long been presented as a paternal, establishment figure. Yet Parry's personality was infinitely more complex, as Jeremy Dibble makes clear. Drawing on a wealth of documentary evidence made available for the first time, he is able to draw a detailed portrait of a radical, energetic, yet hypersensitive and lonely man. Dibble also charts Parry's development as a composer, and presents a detailed examination of his works illustrated with a number of musical examples.
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Add this copy of C. Hubert H. Parry: His Life and Music to cart. $71.36, very good condition, Sold by HPB Inc. rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1998 by Clarendon Press.
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Add this copy of C. Hubert H. Parry: His Life and Music to cart. $123.10, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1998 by Clarendon Press.
This is THE authoritative review on the life and works of C. Hubert Hastings Parry. So, why would one want to learn about this composer, who seems to have retreated into the dustbin of history? (The only work of his I knew was, "I Was Glad," a monumental anthem used for the coronation of QEII.) He was surprisingly influential in his day, and his music deserves another look. Moreover, his life was interesting, and it will serve as an inspiration to those who have wrestled with the issues he encountered in his life. As Dibble notes in his preface, he has been able to treat some of the less savory aspects of Parry's family life without the inhibitions that early authors encountered from the survival of Parry relatives. The review contains numerous musical examples, and for such a scholarly work, is quite readable.
