Chorale Preludes (6), transcriptions for piano (after Johannes Brahms Op. 122), KiV B50
Chaconne, transcription for piano in D minor (after J. S. Bach, BWV 1004), KiV B24
Écossaisen, concert arrangements (3) for piano (after Beethoven, WoO 83), KiV B47
Klavierstück, concert transcription for piano (after Schoenberg, Op. 11/2), KiV B97
Siegfrieds Trauermarsch aus der Götterdämmerung, transcription for piano (after Richard Wagner), KiV B111
Konzert-Fantasie über Motive aus der Oper "Merlin," paraphrase for piano (after Goldmark), KiV B55
Grosse Fuge, contrapuntal fantasy for piano (based on J.S. Bach, BWV 1080), KiV 255
Scherzo, transcription for piano (after Novácek, String Quartet No. 1 in E minor), KiV B95
Andantino from the Concerto for Piano and Orchestra No. 9 in E flat, transcripttion for piano (after Mozart, K. 271), KiV B84
Klavier- Übung, collection of etudes for piano in 10 volumes, KiV deest: Variation-Study after Mozart No. 1, Serenade from Don Giovanni, BV Anhang 1
Barcarolle, transcription for piano (after Offenbach), KiV deest
Klavier- Übung, collection of etudes for piano in 10 volumes, KiV deest: Variations on Gondoliera from Liszt's Venezia e Napoli, BV Anhang 1
Fantasy & Fugue on the Chorale "Ad nos, ad salutarem undam," for piano (after Meyerbeer/Lizst S. 259), KiV B59
Widmung, arrangement for piano (after J. S. Bach), KiV WoO
Praeludium & Fuge, transcription for piano in E flat major "St. Anne" (after J. S. Bach, BWV 552), KiV B22
Kurze Stück zur Pflege des polyphonen Spiels, etudes (5, 6 or 7) for piano (Klavier-Übung I), KiV 296: No. 5
Fugue, transcription for piano in C minor (after Mozart KV 546, incomplete), KiV B94
An die Jugend, pieces (4) for piano, KiV 254: No. 3
Fantasy on Motives from "Der Barbier von Bagdad," paraphrase for piano (after Cornelius), KiV B52
Fantasia nach J. S. Bach, for piano, KiV 253
Mephisto-Waltzer, transcription for piano (after Liszt), KiV B61
Klavier- Übung, collection of etudes for piano in 10 volumes, KiV deest: Nach Mendelssohn (after Mendelssohn), BV Anhang 1
Praeludium & Fuge, transcription for piano in E minor (after J. S. Bach, BWV 533), KiV B26
Ouvertüre, transcription for piano in E minor (after Schubert, D. 648), KiV B104
Klavier- Übung, collection of etudes for piano in 10 volumes, KiV deest: Prelude in G major (from Klavierübung Part V, Op. 28 No. 3) (after Chopin), BV Anhang 1
Zehn Variationen über das Prelude von F. Chopin Op. 28/20 in C minor, K. 293 (Klavierübung II/1), Op. 22, KiV 213a
Canto e Valse, for piano (edited by Ronald Stevenson), KiV deest
An die Jugend, pieces (4) for piano, KiV 254: 4. Introduzione e Capriccio (Paganinesco)
Drei Albumblätter, for piano, KiV 289: 3. Albumleaf (in the style of a Choral Prelude)
Das Wohltemperierte Klavier: Book II, arrangement for piano (after J. S. Bach BWV 870-893), KiV B25b: Praeludium 3 in C sharp major
Das Wohltemperierte Klavier: Book II, arrangement for piano (after J. S. Bach BWV 870-893), KiV B25b: Praeludium 21 in B flat major
An die Jugend, pieces (4) for piano, KiV 254: 2. Study after Bach's Well-tempered Clavier
Sonatina brevis in signo Joannis Sebastini Magni, for piano (No. 5), KiV 280
Fantasy on Two Motives from "Le Nozze di Figaro," transcription for piano (after Lizst, S. 697), KiV B66
Klavier- Übung, collection of etudes for piano in 10 volumes, KiV deest: Nach Goubod (after Gounod), BV Anhang 1
It takes not only super-virtuoso technique to play Ferruccio Busoni's piano transcriptions and paraphrases, but brains, soul, and especially guts, and pianist Holger Groschopp has everything it takes. For this four-disc Capriccio set, Groschopp has recorded all of Busoni's transcriptions and paraphrases, including seven that have never been recorded before. The familiar works are here (the Carmen Fantasy and the Chaconne transcription), along with less well-known works (the Don Giovanni Serenade and the Magic Flute Chorale) ...
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It takes not only super-virtuoso technique to play Ferruccio Busoni's piano transcriptions and paraphrases, but brains, soul, and especially guts, and pianist Holger Groschopp has everything it takes. For this four-disc Capriccio set, Groschopp has recorded all of Busoni's transcriptions and paraphrases, including seven that have never been recorded before. The familiar works are here (the Carmen Fantasy and the Chaconne transcription), along with less well-known works (the Don Giovanni Serenade and the Magic Flute Chorale), and hitherto unknown works (the Fantasy on Goldmark's Merlin and Mozart's C minor Fugue). Groschopp has the speed, the dexterity, and the strength to bring off the most technically difficult pieces, along with the intelligence, the character, and the charisma to make the most interpretively difficult pieces compelling. Although there have been recordings of some of these works that go deeper than Groschopp's (Michelangeli's reading of the Chaconne, for instance, remains one of the...
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