A survey of art produced and performed--often at personal and political risk to the artist--in fourteen East European countries under communist and post-communist conditions.
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A survey of art produced and performed--often at personal and political risk to the artist--in fourteen East European countries under communist and post-communist conditions.
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Add this copy of Body and the East: From the 1960s to the Present to cart. $82.24, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1999 by Mit Pr.
Add this copy of Body and the East: From 1960s to the Present: Moderna to cart. $122.00, very good condition, Sold by Expatriate Bookshop rated 1.0 out of 5 stars, ships from Svendborg, DENMARK, published 1999 by MIT Press.
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Seller's Description:
Textual illustrations. Minor rubbing. VG. 25x23cm, 192 pp., PAPERBACK. Text in English and Slovenian. Catalog of an exhibition held at the Museum of Modern Art, Ljubljana, Slovenia, July 7-Sept. 27, 1998. ["The earliest 'body art' was creatd in Eastern Europe in the early 1960s. The term 'body art' includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical and philosophical content. This book includes essays on 80 artists from 14 countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centres such as Prague, Belgrade, Ljubljana, Warsaw and Zagreb. In these places public actions, particularly on the street, were often banned-and artists arrested-by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions..., . "-Publisher's description].
