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This 21-song collection covers a narrower time span than MCA's Contrasts, from 1935 ("Dorsey Stomp") to 1942 ("Sorghum Switch"), ending just as Dorsey began assimilating some more modern elements into his sound. The collection at hand may be of only limited interest to those who admired Dorsey's more adventurous side, for there is a focus on his pop sides -- lots of Bob Eberly ("My Prayer," "Maria Elena," etc.) and Helen O'Connell, Ray McKinley, and June Richmond. Some of this is fun ("Six Lessons From Madame La Zonga," by ...

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