Meredith d'Ambrosio weaves more magic as she adds another album to her ever-growing vocal literature with the Sunnyside label. Like her previous release, Shadowland, she continues to engage in the unique practice of marrying one of her originals with a similarly themed standard. Some of the more engaging combinations are "Clearly Beloved," with her play on the words, "Dearly Beloved," and "I Had the Craziest Dream," with the natural follow on "I Can't Wait to Tell You." D'Ambrosio's songwriting skills are prodigious, by ...
Read More
Meredith d'Ambrosio weaves more magic as she adds another album to her ever-growing vocal literature with the Sunnyside label. Like her previous release, Shadowland, she continues to engage in the unique practice of marrying one of her originals with a similarly themed standard. Some of the more engaging combinations are "Clearly Beloved," with her play on the words, "Dearly Beloved," and "I Had the Craziest Dream," with the natural follow on "I Can't Wait to Tell You." D'Ambrosio's songwriting skills are prodigious, by herself or with favorite collaborator Kevin Gibbs. On this latest release, even though she doesn't like to, she accompanies herself on three tracks, replacing husband Eddie Higgins. The scenario is far less heavy on this release, and more upbeat, as she works exclusively with just a rhythm trio renouncing the moody instruments of oboe, cello, and the rest of the instruments that were with her on Shadowland. But the smooth, simple, clear, cool, pensive delivery and the interpretive qualities that are uniquely hers are here. She uses vocalese as if holding a conversation rather than building the lyrics around a preexisting solo. There are times when she raises eyebrows with some an unexpected, off-center, but perfect fit note or phrase, such as at the end of "I Fall in Love Too Easily." "Estate," with the lyrics to this tune written by soulmate Susannah McCorkle, is one of the album's foremost tracks. Here and elsewhere on the session the strength of the partnership between her and Higgins manifests itself. Like d'Ambrosio's singing, Higgins keeps it simple, straightforward, and mellifluous. The bass of George Mraz gets some solo spotlight on this cut as well. Beware of Spring! is a notable addition to d'Ambrosio's growing personal musical library as a vocal interpreter and contributing composer. ~ Dave Nathan, Rovi
Read Less
Add this copy of Beware of Spring to cart. $10.34, good condition, Sold by Goodwill of Orange County rated 4.0 out of 5 stars, ships from Santa Ana, CA, UNITED STATES, published 1995 by Sunnyside Communications.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. This item has very light surface scratches that do not affect the use of the disc/s. This is a USED item. Case and cover may or may not have wear or damage. All items unless otherwise noted will include disc, case, and artwork. Codes have been used. Other contents such as booklets may vary, please inquire for details. All items ship Monday-Friday within 2-3 business days.
