In postwar America, visual artists started expanding the use of cinema beyond its traditional narrative role (as in movies ). The late 1950s and early 1960s constituted a seminal moment when, all over the world, artists started to become filmmakers and filmmakers, artists. The time marked a dramatic moment in the life of the moving image: as broadcast television surged forward and the film industry was in precipitous decline. The old glamour of the silver screen was diminishing, and cheapening, as films came to be shown on ...
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In postwar America, visual artists started expanding the use of cinema beyond its traditional narrative role (as in movies ). The late 1950s and early 1960s constituted a seminal moment when, all over the world, artists started to become filmmakers and filmmakers, artists. The time marked a dramatic moment in the life of the moving image: as broadcast television surged forward and the film industry was in precipitous decline. The old glamour of the silver screen was diminishing, and cheapening, as films came to be shown on TV, between commercials. When it came to movie theaters, a slew of B-grade films and gimmicks (like 3-D glasses, drive-ins, stereo earphones) signaled desperate attempts to lure back a theatrical audience. Yet the generation of artists who first experienced this decline in the theatrical cinema turned out also to be the first to grasp the possibility for its radical reinvention. With inexpensive, small-gauge film becoming widely available and video technology just around the corner, Andy Warhol, Nam June Paik, Robert Whitman, and Stan VanDerBeek suddenly became filmmakers. These amateurs developed a compelling body of work that has until recently been overlooked. In their efforts to explore a radically new way of"experiencing"the moving-image, these artists helped develop a novel space"between"the white cube of the art gallery and the black box of the cinematic theater."
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Add this copy of Between the Black Box and the White Cube: Expanded to cart. $19.15, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2014 by University of Chicago Press.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
Add this copy of Between the Black Box and the White Cube: Expanded to cart. $21.15, fair condition, Sold by BooksRun rated 4.0 out of 5 stars, ships from Philadelphia, PA, UNITED STATES, published 2014 by University of Chicago Press.
Add this copy of Between the Black Box and the White Cube: Expanded to cart. $33.48, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2014 by University of Chicago Press.
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Fine. Trade paperback (US). Glued binding. 288 p. Contains: Illustrations. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Between the Black Box and the White Cube: Expanded to cart. $59.80, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2014 by University of Chicago Press.
Add this copy of Between the Black Box and the White Cube: Expanded to cart. $84.00, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2014 by University of Chicago Press.
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VG (Ex-Library with sticker remnants on the spine, rear cover and on rear pastedown; boards are lightly edgeworn/scuffed/smudged; interior is very clean; binding is solid. ) Black boards with silver metallic lettering on the spine; no DJ; x, 273 pp.; richly illustrated. "The first book to tell the story of the postwar expanded cinema that would inspire the now ubiquitous presence of the moving image in contemporary art. In the 1950s and 1960s, the rise of television caused movie theaters to lose their monopoly over the moving image. Andrew V. Uroskie argues that it was this cultural displacement, rather than any formal or technological innovation, that lay at the origins of the expanded cinema."--Rear Cover (paperback).
Add this copy of Between the Black Box and the White Cube: Expanded to cart. $106.68, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2014 by University of Chicago Press.
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Fine. Sewn binding. Cloth over boards. 288 p. Contains: Illustrations, black & white, Figures. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
